A Quote by Suki Waterhouse

My problem is that what I like changes from week to week. Even the stuff in my suitcase right now I don't like any more. — © Suki Waterhouse
My problem is that what I like changes from week to week. Even the stuff in my suitcase right now I don't like any more.
I'm pretty faithful to one fragrance, but I go through phases. It's more about times and moods than moments in the week. In my life, I don't really have a Saturday and Sunday - you might get days off in the middle of the week and work on the weekend. I wear Roberto Cavalli all the time now. Fragrance is an extension of yourself, you need to feel like it's part of you and you can wear it in any situation and it just represents you, any time of the day, any time of the week, any time of the month.
I grew up in Flint, Michigan so I'm used to broken promises so I don't look forward to anything. I look forward to the now. I don't even like planning trips more than a week ahead because you don't know how you're going to feel a week from now.
The minute you're offered another option, you're like, "You mean, I can watch this every week, if I want to, or twice this week, if I need to, and not next week, if I don't have time?" I didn't even realize it was something we wanted or needed, which is where all great innovations come from.
Pop changes week to week, month to month. But great music is like literature.
I get readings, I sometimes get five a week. You'll feel like a schizophrenic by the end of that week. I don't know who I am any more. You'll be in conversation with a friend and start spitting out dialogue.
From a writing standpoint, maybe television is a little more satisfying because it's not all hinging on one thing. You can experiment, week to week, and you can be a little narrower in your scope one week, and then be a little broader the next week. But with film, everything can look the way you want it to look. You can really sculpt the final product. So from a directorial standpoint, film is more satisfying. But, they're both forms of media that I'd like to keep involvement in.
There are 168 hours in a week, and even if you're working out two, three, four, or five times a week for an hour, you're still not working out at least 95 to 98 percent of the week. So it's what you do during that time that's far more impactful than what you do in the gym.
It's just a challenge doing live television every week, you know, it's a challenge to come up with new material every week and stuff like that and try to keep it current, you know what I mean, like it's just, you know, it's a kind of a stressful environment. Like I didn't really realize that we had a show this Thursday until yesterday.
If I'm going away for longer than a week I take a suitcase and check it in but I'm good at packing light and quick - years of modelling, travelling and living out of a suitcase has trained me well.
People want the security, the insurance, the 401K, and all that stuff and it's all crap, OK. There is no such thing as security. What you've got is right now - you don't have tomorrow; you don't have next week. You have right now.
At some point I go back on the sand to get my sand legs. Because it takes a good month for my legs to catch up with everything, with the displacement and all that stuff. So right now we're training on the beach six days a week for practice, and that's generally about two and a half hours. And then I'm doing pilates three times a week.
WrestleMania is a week-long series of events, and the logistics of executing that week along with the week leading into it and the week after it are extraordinarily difficult in our own back yard.
Well, you have your regular classes, like three hours every other day, three times a week. You get twice a week to have an ice practice. Once a week you have weight lifting. It was great.
It's great knowing going into the week that you have a guy like Peyton Manning that's going to throw you the ball. You know that during the week, he's working on different things that's going to help our offense, stuff that makes you get better.
What a shock that a guy who makes $2 million a week behaves exactly like I would with $2 million a week. As far as I’m concerned, if you make $2 million a week and you don’t have a hooker in your hotel room, you’re creepy and I don’t trust you. And I don’t do drugs at all, so for me it would just be more prostitutes. That’s how they would find me. I would be dead on the floor, flattened by a pile of prostitutes. I’d look like a cat in a hoarders’ house.
I'm more European than anything. I've lived in America for 10 years, and I live in Florida because I like to be outdoors. I live a week in New York, and I live a week in Italy. When I'm here in Italy, I come to work at eight in the morning and usually I leave work at 10 o'clock at night. I don't even breathe the air. So that's why I like to live outside.
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