A Quote by Suki Waterhouse
I believe we are most beautiful when we are constantly shedding our old selves and moving into new light.
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Intuition is a powerful tool that can heal the painful split we all feel between our earthly, mundane selves and our divine, eternal selves. When we realize that our spiritual knowledge is in us right now, and always has been, we become filled with light, light-hearted, and enlightened.
We were not always 70, or rather our 70 is an accumulation of all the other ways we were. Our 5-year-old selves became our 10-year-old selves, and so on and on; and if we unpack our selves, the full album appears. Every moment is a part of the following moment, and we are all a continuum.
There are two kinds of people. One kind, you can just tell by looking at them at what point they congealed into their final selves. It might be a very nice self, but you know you can expect no more surprises from it. Whereas, the other kind keep moving, changing... They are fluid. They keep moving forward and making new trysts with life, and the motion of it keeps them young. In my opinion, they are the only people who are still alive. You must be constantly on your guard against congealing.
Many of us are experiencing a phase of change, shedding outdated patterns and liberating ourselves from the old by moving on to the new. The year 2012 is an important one for mankind, a pivotal year. The potential for this exists in the mere fact that the majority of us are yearning for change.
It's been well documented how we start to believe in our virtual or digital selves more than our real selves, but it's strange to think that human behaviour hasn't really changed at all since that legend was created.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
We who have seen him now, light on his feet, smooth moving as a leopard, a young man with an old man's science, the most beautiful fighting machine I have ever seen, may live to see him fat, slow, old, and bald taking a beating from a younger man. But I would like to hazard a prediction that whoever beats Joe Louis in an honest fight in the next fifteen years will have to get up the floor to do it.
Then I noticed that my shadow was crying too, shedding clear, sharp shadow tears. Have you ever seen the shadows of tears, Mr. Wind-Up Bird? They’re nothing like ordinary shadows. Nothing at all. They come here from some other, distant world, especially for our hearts. Or maybe not. It struck me then that the tears my shadow was shedding might be the real thing, and the tears that I was shedding were just shadows. You don’t get it, I’m sure, Mr. Wind-Up Bird. When a naked seventeen-year-old girl is shedding tears in the moonlight, anything can happen. It’s true.
Perhaps we've got so involved in the false selves we project on social media that we've forgotten that our real selves, our private selves, are different, are worth saving.
The New England spirit does not seek solutions in a crowd; raw light and solitariness are less dreaded than welcomed as enhancers of our essential selves.
There are, and always have been, destructive pseudo-scientific notions linked to race and religion; these are the most widespread and damaging. Hopefully, educated people can succeed in shedding light into these areas of prejudice and ignorance, for as Voltaire once said: "Men will commit atrocities as long as they believe absurdities."
We always see our worst selves. Our most vulnerable selves. We need someone else to get close enough to tell us we’re wrong. Someone we trust.
Old wives' tales are not enough in a day when old wives and old men, too, are constantly moving away from their labours.
I have been moving around all my life. Going to different schools, living in different houses, shedding old roles, assuming new ones. This way of life is as natural to me as staying in one place is for other people. I do variations on the theme. I return to places where I used to be. I find my old personas. I try them on. If they still fit, I wear them out to a party or a show. If they begin to restrict my movements, I take them off. I am a human being, capable of mimicking anything I see or remember or can imagine.
Out of the new arrivals in our lives--the odd word stumbled upon in a difficult text, the handsome black stranger who bursts in one night through the cat door, the telephone call out of a friend's silence of years, the sudden greeting from the girl-child---we constantly make of ourselves our selves.
We are all engaged in the task of peeling off the false selves, the programmed selves, the selves created by our families, our culture, our religions. It is an enormous task because the history of women has been as incompletely told as the history of blacks.
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