A Quote by Sulli

When I first posted pictures of me braless, there were so many different reactions. I could have been frightened and hide, but I didn't. I wanted people's prejudices to disappear.
I wanted to make pictures that contradicted themselves. I wanted to put one picture on top of another so that there were times when both pictures disappear and other times when they were both manifest. That vibration is basically what the work was about for me - that space in the middle where there is no picture, rather an emptiness, an oblivion.
My first wedding was 15 people at our condo. The second was maybe about a hundred people at this fabulous casino. And you know what? I have almost no pictures of the second one, because I put disposable cameras on the tables, because everyone said, "The best pictures are the most candid! The best pictures are the ones people just take!" So, I put disposable cameras on the tables, and guess what? There were so many kids there that those cameras were stomped on. I had so many pictures of the floor, of people's eyes, of someone's finger.
4chan is a framework of pictures and text. I've always been extremely hands-off with dictating what gets posted, past general categories and rules. I support providing a place to discuss anything, although I don't agree with everything that's posted.
It never occurred to me that there were so many wonderful photos that had been orphaned and were out there in the world, waiting to be found. Over time, I found a lot of very strange pictures of kids, and I wanted to know who they were, what their stories were. Since the photos had no context, I decided I needed to make it up.
For the last four or five years, I had been in the position where I didn't have to take a pilot. I took this one because the script and the people were terrific. It never frightened me. As we were doing the pilot, I could tell that it was working.
Domesticity has been a challenge for me but painful as it's been, engaging with family has been a school for reducing solipsism and increasing my understanding of people's different reactions to stress.
Many times, I have been shocked and frightened by human beings. I have experienced delight and revulsion. I have sometimes wanted to forget what I heard, to return to a time when I lived in ignorance. More than once, however, I have seen the sublime in people and wanted to cry.
I grew up when people were afraid to 'come out' as gay. If you asked me how many gay kids I grew up with or went to school with, I would have said none - which of course could not have been true. The truth is I have no idea how many confused and frightened kids I grew up with. They are still out there.
After I saw my first poem published, I became interested in the immortalization of words and the fact that you could put something out there that you felt and that meant something to you, and that it could be interpreted by many different people to mean many different things.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
He wanted head and hands and arms on a pillow - in many different positions. I was asked to move my hands in many different ways - also my head - and I had to turn this way and that. There were nudes that might have been of several different people - sitting - standing - even standing upon the radiator against the window - that was difficult - radiators don't intend you to stand on top of them. (On being photographed by Alfred Stieglitz)
My roles have given me a lot of satisfaction. I became many individuals who were so different from me and whose experiences were so different from mine. I could experience all their emotions, their pains, their worries, their happiness.
I can look back at different times in my life when I felt I could not find my way out of whatever it was. I'm not necessarily talking about marriage, but I wanted to pack it in. I wanted to disappear. A lot of that has to do with being in the public eye.
I've gotten all kinds of reactions and it's been used in so many different ways.
Secularism is a term interpreted in many different ways by different people. For me, it has always been something very simple - putting India First
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