A Quote by Sun Ra

I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos. — © Sun Ra
I'm playing dark history. It's beyond black. I'm dealing with the dark things of the cosmos.
The history of the cosmos is the history of the struggle of becoming. When the dim flux of unformed life struggled, convulsed back and forth upon itself, and broke at last into light and dark came into existence as light, came into existence as cold shadow then every atom of the cosmos trembled with delight.
For black people who are really dark - and a lot of black people were averse to be dark skinned - it was believed that you'd be so dark that you couldn't see them at night unless they were smiling or you could see the whites of their eyes. At one time, it was a sharp comic barb that got levelled at some people.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
Science has proved that everything is energy, and now they have dark energy, dark matter. They don't call it all-embracing consciousness; they call it dark because they can't measure it. You know, paint it black.
I'm dark-skinned. When I'm around black people, I'm made to feel 'other' because I'm dark-skinned. I've had to wrestle with that, with people going, 'You're too black.' Then I come to America, and they say, 'You're not black enough.'
The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by the commissars and priests and motivations-research men, far, far beyond the mad, beat, half-hysterical laughter... the utterly unknown still is and the eerie and ghostly lurk, as much wrapped in mystery as ever.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
Dark witches focus on dark magic, black magic and all kinds of horrible things. I don't believe white witches have warts on them either, or pointy noses.
I've always loved black, and I realized that, from the beginning, man went into completely dark caves to paint. They painted with black too. They could have painted with white because there were white stones all over the ground, but no, they chose to paint with black in the dark.
Oh, we can populate the dark with horrors, even we who think ourselves informed and sure, believing nothing we cannot measure or weigh. I know beyond all doubt that the dark things crowding in on me either did not exist or were not dangerous to me, and still I was afraid.
I've always been 'other' in all the spaces that I've been in. Even when I first moved to America, just the idea that I was a dark-skinned black girl from England with an accent. It's one thing to be a black girl, but it's another to be a dark black girl. I was chastised for that. I was chastised for the way I spoke.
Black Comedy is a farce that is played in the dark, as you know, with the lights full on. It's the Chinese convention of reversing light and dark, and exactly where anybody is at any given moment is the play.
Part of what I am dealing with, with this blackness, is asking the question, "Where are those black people, who are as dark as the description of a young black boy that Solomon Northup gives in 12 Years A Slave?" He describes the young black 14-year-old boy as "blacker than any crow." You have to question if he is using that metaphorically or as a descriptive?
'War on Everyone,' I think... the script was hilarious to me, but it's very dark, dark humor. It's super dark.
Dark matter and dark energy are two things we measure in the universe that are making things happen, and we have no idea what the cause is.
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