A Quote by Sune Rose Wagner
This is the life I live, and this is the stuff I experience. And like any good writer, I should just write about what goes in my life and what goes on around me. So that's what I chose to do.
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No writer, I believe, should attempt a novel before he is thirty, and not then unless he has been hopelessly and helplessly involved in life. For the writer who goes out to find material for a novel, as a fishermen goes out to sea to fish, will certainly not write a good novel. Life has to be lived thoughtlessly, unconsciously, at full tilt and for no purpose except its own sake before it becomes, eventually, good material for a novel.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
Writing poetry, we live among the wild beasts, and when we touch a man, the stuff of someone in whom we believed, and he goes to pieces like a rotten pie, you... gather together whatever can be salvaged, while I cup my hands around the live coal of life.
I try to think of it not as writer's block, but a time where you just need to live life and experience things so you have something to write about.
I don't think anybody should be celibate - and that goes for priests as well as nuns. I don't even like to alter a cat. We should all live life to the fullest, and sex is a part of life.
With every decision you make in your life, you're going to have some regrets about the way it goes. You just have to chose which set of regrets you can live with the best, and try to minimize the amount of regrets you have.
I don't like a lot of the stuff that goes on in the art world, but it's hard to be old and like what goes on around you.
The way that I write is I just write a ton of music in the background of my life, and then I just bring it into rehearsal. It's, like, 'Okay, guys. It goes like this. Let's smooth it out.'
I think that I write about stuff that others don't write about. I don't have a bunch of love songs cuz I don't really have much boy experience. I just write about what I am actually going through in my real life.
Kenny Chesney's music cuts. He gets into those massive ballads like 'There Goes My Life' and 'The Good Stuff' and things like that that just crush you, and delivers them so well. Some of that you can't really put your finger on; it's just magic.
Stories hold power because they convey the illusion that life has purpose and direction. Where God is absent from the lives of all but the most blessed, the writer, of all people, replaces that ordering principle. Stories make sense when so much around us is senseless, and perhaps what makes them most comforting is that, while life goes on and pain goes on, stories do us the favor of ending.
I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.
I actually worry that we're so mindlessly following the herd on privacy and data being the principle concerns when the actual things that are affecting the felt sense of your life and where your time goes, where your attention goes, where democracy goes, where teen mental health goes, where outrage goes.
My best experience as a writer was working with Michael Ondaatje. He let me dismantle his novel, reimagine it, and still had dinner with me and gave me good notes. But the best thing about writing has been the writer's life, the sense of being expressed, the ownership of the day, the entirely specious sense of freedom we have, however slave we are to some boss or other. I wouldn't trade it for any other life.
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