A Quote by Sung Kang
I've produced before, and sometimes it's by default. In the indie level, you can't just come to set and be like, 'Oh, I'm an actor.' You have to be willing to help out, make the project happen.
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I think people sometimes get the wrong impression when they're like, Oh, well, so-and-so was straight and then she was gay, and now she's straight again, you know? But it's like, how many times do I have to kiss a woman before I'm gay? Everybody wants to label people. Sometimes you just fall in love with somebody, and you're really not thinking about what gender or whatever they happen to be. It think that if I happen to fall in love with a woman, everyone's going to make a big deal out of it. But if I happen to fall in love with a man, nobody cares.
Set aside a half hour or an hour to rethink the way you make decisions, the habits you have, the biases you may have. And if you think of things, if you come with a little bit of a blank slate and be willing to acknowledge what you don't know, and you'd be willing to think like a child, I think it'll help not only individuals but society at large.
To get art nowadays, in cinema or books or anything, that grapples with the possibility of a meaningless universe... it just doesn't happen any more. In even the most indie of the indie films, everything has to come to some kind of neat conclusion.
Sometimes you think, "Oh man, this is going to be a fantastic movie," and then when you see it put together, you're like, "Oh, huh. Well, that didn't turn out quite the way I thought." Sometimes you think you're part of a project and it isn't that great, and then it sort of becomes a pleasant surprise. But I think there's just too many elements that affect the tone of a movie, so I think even for a director, it may be hard to gauge that.
I had the most frustrating thing happen when I was trying to find a label. I sent my album to this indie label, and they were like, 'We already have two girls on the label. I'm so sorry, we just can't take your project.'
Women leave my seminars with a level of confidence they didn't have before. They can go out, meet people, start conversations and have a good time. They don't have to worry about waiting for someone great to come along as they know they have the tools to make it happen.
Great actors help. Every project is different. Sometimes it's completely open, and I've been able to cast who I've wanted. And then sometimes people want a certain kind of actor.
Oh, I do a tremendous amount of rewriting. I just obsessively rewrite. Although sometimes there are sections, sometimes you're just lucky and a paragraph will just kind of come out. And that's great. But that's not ordinary in a day's work.
I think by default I wanted to be an actor because, on a movie set as a little kid, the only thing that you can do is be an actor. And I was really enthralled by the whole process.
When I do photo shoots for men's magazines, I don't do lingerie, I don't do skimpy bikinis because I feel like, for young women, setting the standard of you can be sexy as hell, but you don't have to have your ass hanging out. Just me personally, I just don't feel that its necessary to project sexy. I feel like I can project that from the inside out. I can wear something a little sexy, but I don't need to take it to that next level.
I really feel like a walking testimony of like if you set your mind to things, how things can come true for you. I feel like I'm like, like the law of attraction. I feel like I'm living that life wholeheartedly. Everything that I've looked for out of life, it's come to be so far... I'm working hard, I'm not getting lucky, I'm earning things... I feel like a living testament to how you can just put your mind to anything and make it happen.
Because I have no consistent schedule as an actor, it was difficult to develop one as a writer. Ideally, I'd like to write first thing in the morning, every day. But sometimes I'm called to set before the sun comes up, or I've worked late the night before, or I'm on a plane.
Sometimes you have to put your own dreams on hold temporarily so you can help release a dream in somebody else. What you make happen for others, God will make happen for you.
They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."
I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'
It's not like I set out to be 'the indie guy.'
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