A Quote by Sung Kang

Pre-'Tokyo Drift,' I was like: 'Am I gonna play Yakuza #1 and Chinese Waiter #2 for the rest of my life? Is America even ready for an Asian face that speaks English, that doesn't do Kung Fu?'
Prior to 'Tokyo Drift,' the iconic perception of Asians in Hollywood films has been either the Kung Fu guy, the Yakuza guy or some technical genius. It used to be such a joke, to be laughed at rather than with.
To make a kung fu film is like a dream come true, because I'm a big fan of kung fu movies and I'm learning kung fu for a long time.
Hurdling is like Kung-fu. Everyone comes from a different school. And everybody says 'my Kung-fu is better than your Kung-fu.' You have to find the technique that best fits your body size.
I'm half Asian, so people immediately go, "Oh, you do kung fu," like that's what we do. We wake up, we do kung fu, we brush our teeth. It's just assumed that you're not working your ass off to make this believable and make this something great, and we absolutely are.
When I was a kid, I loved watching kung fu movies - in San Francisco, we had 'Kung Fu Theater' on TV on Saturdays, and they'd air old Shaw Brothers movies with English dubbing, things like that.
He was never a kung fu guy. Now, he's Mr. Kung Fu. Oh, man. Even Chow Yun-Fat gets typed!
Kung fu: You've got to spend your whole life at it before you're kung fu.
You're asked, 'Do you know kung-fu?' Yeah. That's what we do. We wake up, we brush our teeth, we do kung-fu!
My role in kung fu - in the art of kung fu, not the series - is not as a practitioner. My role is that of an evangelist, which is an entirely different thing.
We saw David Carradine, who is not of Asian descent, playing an Asian man on the show 'Kung Fu' that originally should have, and was developed for, Bruce Lee. To have that be the legacy that quote-unquote inspired 'Shang-Chi' in the beginning obviously doesn't put us off to a great start.
I don't mind doing action or kung fu, but I'm also really happy to do something dramatic. I'd like to show that a Chinese girl doesn't have to do crazy martial arts to get the part.
I was a hyperactive kid, and it took awhile for me to find the right teacher. My master was a Shaolin kung fu teacher, but he also taught tai chi, Chinese medicine, brush painting - he was adept at all facets of Chinese culture.
I did learn Chinese kung-fu in a school for a short time, but I couldn't afford to pay for long-term learning.
Well we've got to do a lot of kung fu choreography, which was really cool. Like I have, you know, like the big hammer that I use, kind of like a staff in a sense. So I get to use that like a really cool weapon. Kung fu style. And it's just really fun to get to learn that and execute it in a way that looks cool on screen. It just feels really rewarding.
To fully understand the roots of anti-Asian prejudice in America, you need to know about the Chinese Exclusion Act of 1882 that banned all immigration from China, even though it was Chinese immigrants that had essentially built America's railroad system.
We did two films [Kung Fu Panda], because the first two films were so embraced by the Chinese audiences we wanted to make something we could push further and since this is a co-production, it seemed like the perfect time to create something that felt native to Chinese audiences.
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