A Quote by Suniel Shetty
I play Harsh Vardhan, a good cop. 'Baaz' is a thriller, in which you doubt every character. I loved the script, as it is very tight and exciting.
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In 'Stree,' I play a character who believes that he knows everything. And I play a cop in 'Drive.' It is a different kind of a role. It is not a uniform-wearing character. The film is interesting, since it is a thriller.
Love every role to be new, and I always like to bring a freshness to every character I play, but that comes down to the script. So, it's important that it's a good script with good, truthful characters and truthful subjects.
Any good movie or script usually, if they're doing their job, gives the highest platform possible for an actor to leap off of, and that script was very high up there. It was a very smart, tight script. There was a lot of improv, as well, once we got to the set, but a lot of the original script was also in there.
'Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
The script should be exciting enough for me to play the character.
If I play a cop, it's always a racist cop or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
In 'Dhil,' my character wants to become a cop, and those who want to become cops have a small waist. In 'Saamy,' where I play a cop, my waist is thicker. Because after you become a cop, that's how you look.
It's all very well to go out there and put on an exciting match, while some of my matches are the most exciting out there, but having a character like mine that people can relate with is very important. I feel like that is a good reason why my character has worked.
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past thirty years. If I play a cop, it's always a racist cop, or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
My mom, who is a very strong Christian woman, will often ask me how some of the characters I play glorify God. Her meaning is that she feels as if every character should be a good Christian character, which is not necessarily my interpretation.
I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
I've always been a very harsh judge of talent because if you don't play the game on both ends of the court, and if you don't play hard every night, I'm probably not going to be in love with you as a player. I'm going to respect you because you're good, but these players are unique.
Sheesha' is a thriller. It was exciting to play my first double role in the film.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.
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