A Quote by Suniel Shetty

There's no way I see myself as a director. Direction is far too creative. — © Suniel Shetty
There's no way I see myself as a director. Direction is far too creative.
I pride myself in collaborating and being a creative director, and creative direction isn't putting my opinion first. It's supporting an artist so they get the most out of the project.
With Lady Gaga I really stretched myself as a creative director, and because I was with this artist from before she got signed I was able to really take control of the opportunity and execute as a creative director.
I make the necessary "corrections" if I find myself leaning too far in one direction.
The way in which these two practices contain each other is that it has always been possible to use the one against the other: to use racism-sexism to prevent universalism from moving too far in the direction of egalitarianism; to use universalism to prevent racism-sexism from moving too far in the direction of a caste system that would inhibit the work force mobility so necessary for the capitalist accumulation process.
I'm still trying to figure out what the right line is between myself and the people I play. Sometimes I go too far one way or too far the other.
A strong film director does leave you to your devices. A strong director allows you to be free and you trust that he's there and he will tell you if you've gone too far. A strong director allows you to be much more experimental and take greater chances than a director who isn't secure within himself.
The director is the ultimate creative arbiter of what's going to happen. And as a director myself, you really appreciate collaborating with people who are trying to help you find what you need and what you want.
I'm kind of the boss. I could fire myself if I ever got out of line, and I can hire myself too which is a good thing. It gives me a responsibility to the financial realities of the picture. I'm an extremely conscientious producer and now equally as a director and it now gives me the opportunity to look at the entire movie and allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view. It gives me freedom and it gives me a certain degree of responsibility at the same time.
I never really saw myself as a comedy director, and I still don't. I see myself as a director.
In terms of songwriting I think it might be a circular thing. I tend to go back and forth between quieter melancholy songs and more forceful, less traditional structures. I think when I find myself leaning too far in one direction I kind of rebel against it and pull the other way.
I can't assume that people see me the way I see myself. I have to show them. But I can't do it in a way where it's too much, where it's rude. I feel like when you're a king, you lead. And I just see myself as a king, or as something more than just a regular human being.
You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
Me? What am I? Nothing. The legs on which dinner comes to the table, the arms by which cocktails enter the living room, the hands that drive cars. I am the eyes that see nothing, the ears that don't hear. I'm invisible too. They look and don't see me. When they move, I have to guess their direction and get myself out of the way.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
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