A Quote by Suniel Shetty

Working with a Hollywood unit was absolutely delightful. I felt like an actor. I was treated like one. I performed like one. — © Suniel Shetty
Working with a Hollywood unit was absolutely delightful. I felt like an actor. I was treated like one. I performed like one.
Like AEW, it kind of feels like they're treating you like a professional athlete, and Lucha Underground is like a lot of TV production stuff. It felt like they treated you like a professional actor. The treatment was just above that for a wrestler.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that’s because my parents always treated me as an adult.
For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.
I can tell you this on a stack of Bibles: prisons are archaic, brutal, unregenerative, overcrowded hell holes where the inmates are treated like animals with absolutely not one humane thought given to what they are going to do once they are released. You're an animal in a cage and you're treated like one.
I'm not with G-Unit for protection. I chose G-Unit because I felt like that's the place where the people would be more supportive of a person that is considered a rebel.
I would like to remind you that both assimilation and integration apply to the working classes in the nineteenth century, at least in Britain and also Germany. Like most outsider groups compared with the establishment, the working classes were treated more or less with the same kind of stigmatization as immigrant groups are treated today.
I became super claustrophobic with Hollywood. I don't like Hollywood. I don't like what it represents. I think that Hollywood is great if you're an actor, actress, established. But for reality people or what people perceive as reality, it's tough. People are constantly discrediting everything you put on camera.
I always felt so much more comfortable in the Western. The minute I got a horse and a hat and a pair of boots on, I felt easier. I didn't feel like I was an actor anymore. I felt like I was the guy out there doing it.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
The truth is that the only time I'm happy is when I'm doing absolutely nothing. I don't understand people who like to work and talk about it like it was some sort of goddamn duty. Doing nothing feel like floating on warm water to me. Delightful, perfect.
Working with Madonna, she always told me the meaning behind the steps and why I was doing these steps - she treated us like actors. So I feel like I've always been an actor, truly.
As a Western woman in the Middle East, I am often put in a different category. I am sort of like the third sex. I am not treated like a man. I am not treated like a woman. I am just treated like a journalist. That is usually really helpful.
I like that I can write my name in Persian, and it's a small unit, like a graphical unit. I feel the same way about my name in English, it's a graphical unit.
I felt a certain modicum of success because I had been paid well to be an actor for the first time in my life, but I felt like I had done adolescent work on the show, and stepping into the New York theater arena was the first time I felt like I'd come into my own. I felt like I was proving myself in a gladiatorial arena.
It's surreal. Here I was, a bhangra champion who had performed at an Indian festival in the U.K. and Germany, a television theatre actor who barely made Rs 1,000 a day working like a donkey all year round.
I was never treated differently. I never felt like I was lesser or I was discriminated against. I've only experienced that after I became an actor.
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