It is not always easy for a young player to come through at the club level, because all the clubs are able to buy for 20 million or 30 million and it is hard for young English talent to come through and to get recognition and be able to be part of the squad or start playing.
The passionate fans, pumped full of adrenalin, think they own their club and, by extension, the players because they play for their club. They don't. It is the club who 'own' the player, and only while he is under contract.
With darts it's just one against one, it's blow for blow. The only thing I could compare it to is boxing. It's dead exciting. You're reacting to each other, the adrenaline's pumping. You don't feel calm at all. But it's all about being able to win when you're pumped up. People say you don't play the player; I play the player every time.
I don't want to be one of those players that is just a first, second or third down player. I want to be a four-down player, able to play in the ground and dirt with the linemen, but also able to play in space.
A player can have all the quality and everything it takes to play for a big-six team or to play for the best teams in the world but then sometimes it happens and it doesn't work out. It's not because of the player or the club, sometimes it's just the environment, it's the wrong timing.
When you come to Paris you are at a club that has the ambition to be the best in the world, you have come to a club that wants to play in all the competitions.
It is difficult for young players to learn - because of the great emphasis on records - but, ideally, the joy and frustration of sport should come from the performance itself, not the score. While he is playing, the worst thing a player can think about in terms of concentration - and therefore of success - is losing. The next worst is winning.
I love Bournemouth. The place where we live is amazing. It's so chilled and nice, and also the club itself is a family club. Especially as a young player to come here, it's a perfect fit.
The worst gig story I have is from a club in Alabama that I think is still up and running, so I won't name the name of the club. We got hired in there to play, and the owner was pretty annoying. He kept coming up to me during the show and asking me to play 'Purple Rain.'
Real Madrid are an exemplary club. I would never have had the chance to play for this club for such a long period had I really been such a crazy, violent player.
A player's mind, body and soul have to be right to get the best out of them, and if a player no longer wants to be at a club then the club should try and get the best deal they can and let the player move on.
Every club if I am not playing, I leave because I want to play football. All I wanted to do since I was a kid is play football and if I wasn't at a club I'd be playing with my mates on a Sunday. I still come home and play five-a-side with my mates.
But I've come to the point in my evolution on the instrument where I realize that I can't play the same stuff that just a guitar player or organ player would play - and I need to embrace that in a big way.
It's really easy to play harmonics, anyone can do it. It's another thing to be able to swing, to make to make a band swing, to create a groove. Harmonics ain't everything. Being able to play harmonics certainly does not make you a good bass player. Cleverness is no substitute for true awareness.
I would have been happy to play in Holland for a big club, but I can see the point of selling me to an English club. It's very simple: Dutch clubs are not going to spend £16m on a player like me.
Everything is always equal between every player; no one is ahead of anyone. Sometimes one player plays, then others play. It's normal at every club, not just Barca.