When you are young you tend to do so many things that are not needed. When you get experience, you know what exactly what works for you and you tend to do things that you want.
I don't actually tend to do a lot of research when I'm writing. I do know because I think a lot of what I find you want to do with research is just confirming things you want to do. If the research contradicts what you want to do, you tend to go ahead and do it anyway.
We tend to buy things - a lot of things - where we don't know exactly what will happen, but the outcome will be decent.
Many women tend toward the interdependent end of things, we tend to see ourselves in relationship to others to a far greater degree than men.
I find that the things that really, you know, get us fired up, tend to be things that, for example, things that you talk about tonight, what we see in the news.
I only tend to use YouTube for learning difficult guitar things or music videos. I tend to just walk around London and take it all in; there are so many fashionable people.
I tend to sort of dive into things without worrying about risk or anything. Like, when I get an idea, I tend to just go for it and see what happens.
I tend to roll with the punches so if things don't go exactly as planned, I always perceive it as the universe making things the way they should be.
I don't tend to get lonely as there are so many things to do.
In America, even the critics - which is a pity - tend to genre-ize things. They have a hard time when genres get mixed. They want to categorize things. That's why I love Wes Anderson's films and the Coen Brothers, because you don't know what you're going to get, and very often you get something that you don't expect and that's just what a genre's not supposed to do.
I don't know whether I have ideas all the time. I think I'm curious about things all the time; I think I'm always curious, and I think I'm always interested in whatever passes by, and I know I tend to think about things, and I tend to talk about things, and sometimes that takes root and gives me something to chase.
I'm a really anxious person, so I tend not to keep secrets. I tend not to even want to hear them. It's too nerve-wracking for me to try and keep things from people.
I'm fairly unemotional and tend not to get too excited when things go well and I tend not to get too depressed when they go badly.
As we get older, we tend to become more risk averse because we tend to find reasons why things won't work. When you are a kid, you think everything is possible, and I think with creativity it is so important to keep that naivety.
Some things tend not to work so well for science - things that rely on substantial written contributions by key experts are a case in point - but even there I tend to keep an open mind, because it may just be a case of finding the right formula.
I think writers tend to be experience junkies, and I think they also tend to want to be on the outside looking in.
With music there's so many limbs and facets. Video and touring and merchandise and all those little things require attention. They're artist things but I tend to joke around too much with those things.