A Quote by Sunita Williams

One thing to say about doing maintenance in space - it is difficult because the parts and pieces float away. You end up using a lot of tape and Velcro to make sure things stay put.
Life in zero gravity is hard to simulate. We practice on the ground what we call 'the day in the life' simulations, but it's just practicing some of the tests. It can't prepare you for the fact that all of your tools float if you don't pay attention to where they are! If you don't Velcro things down, they're gonna float away.
I've often said the most difficult things I have to say to people through humour. I can very quickly put someone in their place with it. But we all walk away unscathed because there's been some funnies around it, and I'll usually make sure that it comes back at me.
I hated being stuck at home doing the student thing. I always wanted to work. And there's nothing wrong with it. So you can take what you can get. And, you know, this, 'Well, that's beneath me. I have a degree.' Put it aside for a while because reality is what it is. There are a lot of people having to do a lot of things that they think are beneath them right now because McDonald's is not open to make sure you don't starve. That's your job. Your responsibility to make sure you don't starve and your kids don't starve and all the rest of it.
I warm up with my mom and make sure I understand what the songs are about and make sure I'm using the right technique. To be honest with you, I really don't practice a lot... Usually, I say a prayer and ask the Lord to sing with me and help me and stand on the stage with me.
I warm up with my mom and make sure I understand what the songs are about, and make sure I'm using the right technique. To be honest with you, I really don't practice a lot... Usually I say a prayer and ask the Lord to sing with me and help me and stand on the stage with me.
When you're doing an investigation of a company that is doing things that they don't want to be found out, and they say, "I don't want to be on tape," you're not suddenly going to step away and say, "Okay, I'm not going to make a film."
Probably the most difficult things were my favorite parts. The make-up and the big fight sequence at the end of the movie were very difficult but really fun and challenging.
I was blessed, because I come from a family where they knock you down before you float away. I have a lot of brothers who just make sure we have our feet on the ground, and my mom is a rock star. She is an amazing mother.
But the difference between the little pieces and the big pieces - I'm not actually sure which are the little pieces. With some of the big pieces, it's a lot of musical running around, whereas the little pieces, you can say everything you want to say.
When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.
If I tape an 11-hour day, guess which parts end up on air. Not the bits when I'm pleasant, but the parts when I'm obnoxious.
A lot of hitters stay away from the plate, some are close up, some are forward, some are back. The thing about hitting is this: You have to know the strike zone. That's the most important thing. Hit strikes and put the bat on the ball.
The last thing I'd say is that you can achieve a lot of things in politics. You can get a lot of things done. And that, in the end - the public service, the national interest: that is what it's all about. Nothing is really impossible if you put your mind to it. After all, as I once said: I was the future once.
It's kinda crazy to say, but the way Jay [Duplass] and I stay afloat, because we don't make particularly commercial fare that makes a lot of money, is that we make things cheaply and we make things small. We would kind of be afraid to go make a $100 million movie because you have to do certain things to it to have it make its money back.
The problem comes up because we ask the question in the wrong way. We supposed that solids were one thing and space quite another, or just nothing whatever. Then it appeared that space was no mere nothing, because solids couldn't do without it. But the mistake in the beginning was to think of solids and space as two different things, instead of as two aspects of the same thing. The point is that they are different but inseparable, like the front end and the rear end of a cat. Cut them apart, and the cat dies.
And I do pay a lot of attention to how things feel underneath my feet. It's a way of transporting yourself somewhere that you're trying to write about - closing your eyes and imagining what it feels like to literally be in that space. Maybe because of this weird aura thing I find it a bit easier to put my body in an imaginary space.
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