A Quote by Sunny Singh
My father and uncles would often tell me that I was going to become a hero because somebody or the other was related to the film line. When you start getting inspired by others, that's the point when you decide that acting is meant for you.
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When I was a kid, Jacques Cousteau was my hero and the person who inspired me to become an underwater explorer. I have many other people who inspired me after him, but he is still my all-time hero.
Because of jealousy you are in constant suffering; you become mean to others. And because of jealousy you start becoming phony, because you start pretending. You start pretending things that you don't have, you start pretending things which you CAN'T have, which are not natural to you. You become more and more artificial. Imitating others, competing with others, what else can you do? If somebody has something and you don't have it, and you don't have a natural possibility of having it, the only way is to have some cheap substitute for it.
Soon, he would become an adult. And when he did, there would be not going back because adulthood was akin to what his father had once said about being a war hero: one you became one, you died one.
Our father is a hero for us and so I've always looked at him as somebody that I couldn't wait to be, as well. So I can't wait to be a father, and watching Maks become the father that he is has been very motivating for me, as well.
As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project. My background are acting, film production, directing, and I studied them for many years. Keep in mind that you need many other skills when you are starting any film project related to real life.
I never studied. I was too afraid. I thought that if an acting teacher had said to me, "You know what, you're not good," I would not have gone any further. It was easier for me to justify going to an audition and getting rejected, maybe because they wanted somebody blonde, maybe because I wasn't experienced enough. I could live with that more easily.
When I was little I knew my father had been an orphan and had lived in an orphanage. I was curious, but my father wouldn't satisfy my curiosity. He told only one story about the orphanage, and that was of sneaking out and buying candy, which he sold to other orphans. He said he had a pretty good business going - till he was busted! I guess he told that anecdote because he was the hero of it and I suspect he was rarely the hero as a child, more often the victim. There's a photo of the actual orphanage on my website, and you can see it's a forbidding looking place.
My favorite film is 'The Shining,' mostly because it was the film that inspired me to become a filmmaker myself.
My uncle was a hero, Lewis Roundtree. He was not even related to me really, but he was always called my uncle. He was like a father to me. I was closer to him than I was my father.
My father would tell me my defects but never praise me to my face. The good things about me he would only tell others when I wasn't around.
I don't think you play for other people's expectations, you know. You don't go and become a lawyer because your mother or father want you to, you don't become a coach because somebody wants you to.
Growing up, my parents were my heroes in the way they conducted their lives. My dad works in child protection. As kids, our experiences shape our opinions on ourselves and the world around us and that's who we become as adults, because of that experience. He's certainly been my hero. A hero is someone who puts themselves on the line and sacrifices their own safety for the greater good and for others. And I think anyone in any sort of profession where the welfare of other people instead of individual is inspiring and important.
It's like getting into film - I didn't say early on, 'I'm going to become a filmmaker,' 'I'm going to show my work at MoMA.' When you start to think those things, you're in trouble.
I think Splash made people realize that I was still alive, and I think I inspired a lot of people. I have people coming up to me all the time in the airport saying, "Hey, you inspired me to learn how to swim!" "You inspired me to start moving around more." "You inspired me to start doing more for myself." So that was good. But mostly I took it because nobody had given me a job. And you know what really matters in life, right?
Ben Affleck inspired me and reignited my love for acting and filmmaking. It was a big part of getting me to a place where I felt inspired to make my own movie.
'How the West was Won' was very hard, because it was a three cameras technique, meaning three cameras wide. Therefore I wasn't speaking to my fellow performer, I was speaking to a camera, or a line next to the camera. It was difficult to do, because its not real acting. I had to pretend that I was 'seeing' Agnes Moorhead or Jimmy Stewart or Carroll Baker. I wasn't, I was acting to a drawn line. It took me personally two years to make the film, because my character starts at age 16 and I end up being 92 years old in the film. By the end of that production, I was ready for a long nap.
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