A Quote by Supriya Pathak

I am a product of theatre and whatever I learned there helped me emote in front of the camera. — © Supriya Pathak
I am a product of theatre and whatever I learned there helped me emote in front of the camera.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.
Watching Sridevi emote was an experience. She was very quiet on the sets. But once in front of the camera, all her energy would be unleashed.
The more comfortable you are in front of the camera the more you can emote well. If you are confident then 90% game is won.
I have been in public for a long time, so the camera was never an issue for me. I am very comfortable in front of a camera.
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
I'm always going to hear people make that connection and I've just accepted it. It's alright. I'm just happy that I get to do my own thing now. I learned a lot from the show [the Voice] as far as being in the TV world and being in front of the camera, which is really great because I'm not as nervous in front of the camera as I was before.
Football helped me tremendously, and that's why I want the sport to stay because it's so valuable. It's helped me be a better physician today, certainly. I've learned discipline. I've learned focus, teamwork, communication.
Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.
I am very proud of my husband, both behind the camera and in front of the camera.
When I am in front of the camera or on stage, I am not me.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
It's all performance and my acting background made me very comfortable in front of people, in front of cameras. It helped me think on my feet in front of a crowd.
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