A Quote by Suranne Jones
I like writing, and I enjoy the production part a lot, actually. It gives you longevity in a career, where you know sometimes you might not always have the time to do the parts you want to do.
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You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I have never, ever been embarrassed by saying, 'I don't know.' I think maybe that's part of that longevity of my career. Sometimes I have to say, 'I don't know but I'll find out. Call me next week.'
Sometimes I can inhabit a feisty, vicious character. Sometimes I can inhabit a painfully shy British girl, or whatever it might be. I'm able to step into these other parts of myself. I feel like, as long as I keep doing that in my career, and I keep tapping into different parts of the human condition, that's all I ask for.
You start to think in terms of making an album that might be greater than the sum of its parts. It's sort of like having a lot of footage and then editing it into something that will make sense to a viewer, you know. Sometimes it might involve even working on an older song that might complete that picture.
I recorded a lot of songs that I knew I didn't like just because maybe part of me wanted to be nice, maybe part of me just wanted to be in the studio, but I've been learning that it's really important to do what you want to do. Even though I might not write all of it, I am still picking out the songs that I want to do. A lot of people who are writing for me are people I have worked with for a while so they know who I am and what I want. I have a lot of opinions and I have learned that it is absolutely okay to express them and to say, "No, I don't want this."
Could you imagine being from Siberia? Like, a small part of Russia, where it's like, 'When was the last time Russia was having a super big international pop star in the U.S.?' I don't know, but I can name a few from Sweden. I think that gives us a lot of confidence in being pop stars because we're like, 'Oh, we actually can. We know we can.'
I find myself really feeling like it's possible that maybe the greater contribution I'm going to be able to make through this next phase of my life might be as a writer writing wonderful parts for women, or even writing wonderful parts for myself, you know?
I take the purest and hardest forms of music... and come in completely fresh from a production standpoint. It's like hip-hop production, because there's a lot of taking the best parts and a lot of the repetitiveness.
The 'Hey Monday' songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
I feel like people who criticize authors for being self-promotional fail to recognize that a lot of times their ability to continue writing hinges on sales and recognition. Some of it is for fun, some of it is for ego, but a lot of it is just writers trying to ensure longevity to their career.
In a strange way, I don't have a job, so I have a lot of time on my hands. When I do work, it might be very concentrated, and it might be months where you're not really doing anything except maybe playing the banjo or writing something. You know, there's a lot of time in the day if you're not working 9 to 5.
Like a lot of us, sometimes I'm preaching to the choir, and sometimes my voice doesn't even get heard at all. Sometimes I think that what I'm writing now might not even have an impact for the next three or four generations. Sometimes I sit there and write, and I think, "It'll be two hundred years before they get what I'm writing about."
I'd have to say I enjoy myself a lot more, really. I don't feel so much responsibility as I did in other teams. It felt sometimes at Ajax and Liverpool that it had to be me. Now, every time I go out on to the pitch, I enjoy myself and laugh. I have gone through too many difficult times in my career and I don't want to keep thinking about them.
I pretty much started out writing full time. I was an at-home mom and when my youngest entered kindergarten, I started writing. I was 35, and before that I really hadn't written at all. Which means, I guess, that a) it's never too late to start a writing career (or any career you really want) and b) it's OK to get to your mid-30s and still not know what you want to be when you grow up.
My philosophy on writing a song for myself is that I always, always, always want to write a song. I always want to write a song. I realize that as a record producer or a singer or whatever I might not, if I recorded on myself or someone else, the first time out I might not give it the right treatment, so that the world or many people will accept it and it'll be a public hit, or anything like that.
Throughout my career I've played a lot of parts that might've been played by a man. They're human roles rather than specifically men or women. I've never been as hooked into that as a lot of women are, you know, like, 'There aren't enough roles for women.' There aren't necessarily a lot of good roles for anybody.
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