A Quote by Suresh Gopi

I always wanted to do more comedy roles. — © Suresh Gopi
I always wanted to do more comedy roles.

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I am not considering shifting my image from action to comedy or romantic comedy. I have done or am doing films which are action-oriented: comedy roles and romantic-comedy roles.
We always wanted to make a comedy that was a little bit more than that, which had tragic elements to it... that people engaged with - an intelligent comedy essentially.
Nobody is here without a reason. I always had a different sensibility. I like a huge range of comedy - from broad and farcical, the most sensitive, the most understated - but I always wanted my comedy to be more embracing of the species rather than debasing of it.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I've always wanted to do all kinds of roles, dramatic roles and comedic roles, all kinds of roles.
I'd like to do more dramatic roles but I would never give up comedy to do it. I've seen a lot of actors that do a complete 180 degrees and say: "I'm done with comedy, I want to be taken seriously." I take my comedy very seriously and I want to be taken seriously because of my comedy. I think it's more fun for me. I enjoy laughing and attempting to make people laugh. So I'd like to do more drama but I'd never do the 180 thing.
I consider my comedy to be dramatic comedy. I always wanted music underscoring the dramatic monologue. It was always drama with comedy, in my head.
I'd always wanted to be a dramatic. Comedy comes more naturally to me. I can do it with more facility. So I feel more comfortable with it.
Like Dilip Kumar, I've never run after money but only after good roles and that's why have always rebelled against those directors who wanted me to do buffoonery in the name of comedy.
My criteria for doing a television series never changed. I wanted more stability, I wanted more of a sense of family, I wanted to do light comedy.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
I liked the character very much and even in general roles like this entice me. I started my journey in Punjabi film industry with negative roles, and then gradually comic roles and situational comedy fell into my kitty.
Coming out of 'Spy Kids,' I immediately wanted to do more grown-up roles, and I was turning down a lot of the kind of younger, cheesier roles.
I always wanted to give comedy a try and I feel Comedy Classes' is the best platform for that.
I wanted to build up a little nest egg and go back to L.A. and choose roles that I wanted to do instead of roles that I had to do to pay the bills.
A lot of the stuff that I've done has been more drama and less comedy. I've had some opportunities to do some comedy, and I've often wanted to do that because it fits with me very comfortably because I talk too much, and I'm always saying the wrong thing all the time.
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