A Quote by Suriya
I try and imagine myself in situations and figure out how I'd have reacted and responded to them, and then bring that insight into my acting. Much of acting is about borrowing from your real-life experiences.
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With acting, I've always gotten by in life acting in situations. I'm a small person. I didn't have a chance to be a bully. But I could always act myself out of tough situations.
It was the moment I learned acting is not acting out. After that light went on, I spent the rest of my life trying to figure out how to make other people realize it.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
I read all the books on Fairfax in the British Library, did a lot of horse riding and studied military tactics of the time, finding out that he actually laid his rose garden out in strategic formations! But Method acting is a label I don't really understand, because there's a method to everybody's acting. In terms of jumping into a character's skin, I try to immerse myself in the role as much as possible to bring me closer to them. All I do is what's required to achieve what I want to achieve.
Acting was always something I pursued by myself. When we were in college, I took an acting class that I was so passionate about and devoted to, but I went to it privately and never really spoke about it. I'd have these ecstatic experiences in, like, a church basement and then never talk about it with other people.
One of the reasons I got into acting to begin with is that I was trying to figure out how life worked. It was interesting to me to try and follow how other people, real or imaginary, would deal with problems, because I was trying to deal with my own problems.
It was difficult for me to feel my feelings, so I just buried them. Then I found that acting was a way for me to get them out. But now that I'm a reasonably sane adult, acting is more about my trying to engage other people: Acting is cathartic for the viewer as well.
Your real life is in the here and now. Once you figure out what kinds of experiences cause you to feel certain ways, you can change either the experiences, or when that's not possible, change your responses to them.
Acting is not about competing. Acting is about cooperating. Acting is about collaboration. It's about your utility, your usefulness, your capacity to add to the work that has already been done and will be done. You're just part of a team. I never feel competitive about acting.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
Acting. Whenever I am playing a character, I use my real life experiences, which puts me on the line of reliving some of those good and bad times. Acting requires risk, and that's what feeling vulnerable is.
If I had to say the secret recipe for acting melodrama, I think it comes from myself in real life. I have a belief that when I do melo scenes, I try to make them less cheesy.
I've stopped showing actors what to actually do. I rather just talk to them about it. Then I usually play music. That's a great way to convey inner emotion, bring the power of style and acting together. That's really what it is, very good acting without talking.
I've wanted to follow my dad into acting for as long as I can remember. 'I've had a very serious round of dramatic training, and I like action films that take their characters seriously, so I figure I'm making it the best of both worlds if I try to bring some serious acting to a shoot-'em-up picture.
As a senior in high school, you figure out what you want to do with your life. I asked myself if I wanted to get back into acting and thought: 'Yes, but under my own terms and nothing like it was before.'
I don't have any theories about acting, and I don't think about how to do it, except that an actor shouldn't take himself too seriously, and shouldn't try to make acting something it isn't.
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