A Quote by Suriya

My father came to Chennai at the age of 16 from a village in Coimbatore. He was an artist and was clear he wanted to do something, so he came to Chennai and joined an art course for eight years before he came into films.
When I came to Chennai from Coimbatore after my graduation, looking for acting chances, it was for dubbing that I was first tried.
My father had sent me to Chennai on the condition that if I didn't make it in two years time, I had to be back in Coimbatore, find myself a job and settle down.
I think that I came of age in the 1970s with my own work, and it was a time of conceptual and process art, and it was very important not to tell a story. If you told a story, when I was a young artist and first came to N.Y., it was, like, an embarrassing way to make art.
Post 'Chennai Express,' I got several offers from Hindi cinema, but nothing substantial came my way.
My films have become bilingual. When everyone saw 'Chennai Express,' they said it was a bilingual. But I am proud that 'Chennai Express' is the highest-grossing Hindi film down South.
I wanted to be an artist, but at age 11, somehow all this musical knowledge and information and love for music that I had came out, and then suddenly it was very clear that I wanted to be a musician of some sort.
I was born in 1952, so obviously the sixties were important. That's when I came of age. It was also a revolutionary period, a complete break with the generation before us in terms of culture, literature, music, and in politics, of course. 1968 was an important year; I was 16, and the world became clear to me, visible, so to say.
My mother's family came from the British West Indies. And my father's family came from, well, my father's father came from the Montana/South Dakota area. They were Blackfoot Indian.
I was the first son and first child. When my sister came along, well, she was two years younger, and I had to go to the golf course because my mother couldn't handle all the action going on. So I came with father to the golf course since I was a year and a half old and I spent the day with him here, and it worked in naturally. And it was fun for me being with my father, and doing things that a kid did it was great.
As an artist, I feel so fortunate to be able to learn from all these great musicians that came before me, when some people have nobody that came before them.
When the Spirit came to Moses, the plagues came upon Egypt, and he had power to destroy men's lives; when the Spirit came upon Elijah, fire came down from heaven; when the Spirit came upon Gideon, no man could stand before him; and when it came upon Joshua, he moved around the city of Jericho and the whole city fell into his hands; but when the Spirit came upon the Son of Man, He gave His life; He healed the broken-hearted.
I was born in India, and we came from a poor family and lived in a rural village. My dad came over to Canada as a refugee, and years later, we were able to join him.
So when the book came out, my mother stunned us all by leaving my father. I think three months before the book came out, she left my father the day he retired from the Marine Corps. They had a parade and march, and she came home and left.
In Chennai, we have the beach for entertainment, but in places like Trichy, Salem, and Coimbatore, movies are the only entertainment.
My parents came to America in the late 1960s because my father studied for a Ph.D. in Indiana. My mother joined him later. We had ancestors who came over at the turn of the century. One worked in a laundry, as is typical of Chinese-American immigrants.
I remember going to a bookstore in Chennai and getting recognised as the 'Ahista' girl. The good thing about the video was the director let me do just what I wanted. And my costar in the video was really sweet. I think it came across well because I portrayed emotions just the way I would in real life. I was just being myself.
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