A Quote by Susan Elizabeth Phillips

Make-up? What happened? You look almost female." "Thanks. You look almost straight. — © Susan Elizabeth Phillips
Make-up? What happened? You look almost female." "Thanks. You look almost straight.
Sarah: "Not bad. You look almost human." Lena: "Thanks." Sarah: "I said almost." Lena: "Well, then, almost thanks.
And then after that, running around the bases, it was just one of those things. You couldn't believe what happened to you. And I look back on it, it's almost like it happened to somebody else.
What happened in the missile crisis in October 1962 has been prettified to make it look as if acts of courage and thoughtfulness abounded. The truth is that the whole episode was almost insane.
I love making my Instagram look cohesive - look like a Tumblr page almost. When they all make sense colorwise, or when you add those white borders to them, it makes them look cleaner. Clean and precise.
My father could look straight ahead but concentrate on something on the very edge of his vision, almost nearly behind him.
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe. I’m hoping hard for that.
"But please, when you see an opportunity..." He presses his hand to my cheek, cold and strong, and tilts my head up so I have to look at him. His eyes glint. They almost look predatory. "Ruin them."
Barack Obama is an opportunist, mostly supported by the financial institutions. He had no positions on anything. He's very intelligent. If you look at his program, almost no substance. Change, hope, what's that? I mean, he had some policies, but it was almost certain that he would give them up instantly, which he did.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
When I occasionally indulge in sort of a 'look back' at highlights, it's so interesting - it almost never comes from an image on a set or even the Academy Awards. It's almost always a family trip or meeting and falling in love with Cheryl.
You look out into the audience and you see so much joy on people's faces. You make eye contact with people who are almost crying because they can't believe they're seeing the Rumours five back again, they can't believe their eyes. It's almost like a family reunion on stage, there's no angst, there's no animosity, there's just tremendous amount of friendship.
I would say, we have had a lot of problems with radical Islamic terrorism, that's what I'd say. We have had a lot of problems where you look at San Bernardino, you look at Orlando, you look at the World Trade Center, you look at so many different things. You look at what happened to the priest over the weekend in Paris, where his throat was cut, 85-year-old, beloved Catholic priest. You look at what happened in Nice, France.
I actually think it almost works the other way sometimes: making a college textbook, say, look really "user friendly" tends to also make it look less "serious," even if nothing changes other than the design treatment.
Some of the djamphir are so pretty it almost hurts to look at them. And it was hard to look without feeling rumpled and messy in comparison.
You also said in Rolling Stone that your look is based on mine. The look I chose, I chose on purpose at a time when my record company were encouraging me to do what you have done. I felt I would rather be judged on my talent and not my looks. I am happy that I made that choice, not least because I do not find myself on the proverbial rag heap now that I am almost 47 yrs of age.. which unfortunately many female artists who have based their image around their sexuality, end up on when they reach middle age.
You know what I think happened? After 'Rocky,' I was almost set up in the eyes of the media to make a flop.
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