A Quote by Susan Elizabeth Phillips
As far as I'm concerned, men like you were put on this world to entertain women like me.
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In the Eighties, the landscape was changing. No one knew if they had a future. It's not like now. There was no satellite. Kids were still out on the streets playing all the time. For me, it was the last great hurrah! People don't take those chances anymore. Everyone's far too reserved. Men look like women, women look like men.
I feel like everyone has a preference. You have women who don't like shorter guys. You have women who like taller guys. You have women who like heavier men. You have women who like smaller men. It's the same thing with men. You have men who prefer lighter women and men who prefer darker women.
It is a man's world at the top, at the bottom, and in between. Men are in the catbird seat as far as income, opportunity, status, and power are concerned. This is the way it always has been and, as far as men are concerned, it is the way it always should be.
Women had to work like slaves in the art world, but a lot of men got to the top through their charm. And it hurt them. To be young and pretty didn't help a woman in the art world, because the social scene, and the buying scene, was in the hands of women - women who had money. They wanted male artists who would come alone and be their charming guests. Rothko could be very charming. It was a court. And the artist buffoons came to the court to entertain, to charm. Now it has changed, now the younger men are in - older women and younger men.
Men didn't like to empty bedpans, so we made women nurses. Then men didn't like to do the administrative stuff, so women were allowed to become secretaries. That's the way they entered the work force. Then we began to educate them because they had to be educated. But it wasn't until after World War II that most of the great universities of this country became coeducational.
I entertain more than just sayin', 'oh that's a female rapper,' or 'oh, that's a rapper,' period.' But, me, I put out music, and when I put it out, I also entertain on Twitter. I entertain on stage. I entertain talking to people.
I think it's a major epidemic in women, faking orgasms. So many women in this world feel like they are put on this planet to please men, that they have to fake, and they never worry about their own pleasure.
Seems to me the basic conflict between men and women, sexually, is that men are like firemen. To men, sex is an emergency, and no matter what we're doing we can be ready in two minutes. Women, on the other hand, are like fire. They're very exciting, but the conditions have to be exactly right for it to occur.
Our culture is set up on a feud mentality, or a "Housewives" mentality, that women just fight. And it's such a shallow way to exist as far as our evolution is concerned, and our culture is concerned. It's fun to watch women fight, in a storytelling way, but in the world, women shouldn't be seen as a threat to other women.
I think women are concerned too much with their clothes. Men don't really care that much about women's clothes. If they like a girl, chances are they'll like her clothes.
I got to L.A. in 2000, when we were coming off the '90s: women looked like men and the men all looked like women.
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
It would be a thousand pities if women wrote like men, or lived like men, or looked like men, for if two sexes are quite inadequate, considering the vastness and variety of the world, how should we manage with one only? Ought not education to bring out and fortify the differences rather than the similarities?
As far as feminism is concerned ... the problem in the world is men, and they, in their natural state, are essentially incompatible. They must be tamed. They must be tempered, 'cause men are naturally brutes. They fight. They sweat. They expel gas. They're dirty. They get into fights. Ewww! And we've got to somehow reprogram all of that out, because otherwise women will be in constant peril.
I don't believe you know anything about a man like me or a country like this. It takes rough men, Miss Fair, to tame a rough country; rough men, but good men. Your father is in that class. As for you, I don't think you'd measure up, and you'll do well to leave it. You're a hothouse flower, very soft, very appealing and very useless...In the world you are going to, men want pretty useless women. They want toys for their lighte moments, and we have those women out here, too, only we have another name for them. We want women who can make a home, and if need be, handle a rifle.
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