A Quote by Susan George
I'm a radical reformist, because between where we are and where I want to go there's a great deal of work, and I won't see the end of this.
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One thing I noticed over time is that if I got a bad review, usually the bad part of it was at the very end. I could tell that nobody read the whole review because they would just say, "It was great to see the review!" In a way, my brain shuts down at the end of an article. It doesn't really want to go to the end.
In my book Radical Reform I made it clear that we cannot talk about the environment or ecology if we don't also deal with the economy. There is a direct link between how we deal with the economy and how we deal with nature.
I call myself a radical conservative. What's that? Well, let's analyze it. Go to the dictionary. Radical: One who gets to the roots of things. And I'm a conservative because I want to conserve the green of the grass, the potability of drinking water, the first amendment of the Constitution and whatever sanity we have left.
It has started becoming a deal that wherever I go, people just want to see me dance. I try and keep it for the end zone, but sometimes you've got to do what you've got to do.
If I see a great performance on television, onstage, in the movies, I go to work the next day with a renewed energy and less fear. These great artists take me out of my life and make me want to go there.
I've been very selfish and the women in my life have hated that because of my work ethic. I try not to bring my work home but the next day I want to go prepared. So okay let's have a few moments of camaraderie whatever... okay great! I go work on the script.
The act of me just being robust in the world is so radical - it's so radical for a black woman to think she's going to be a star, because it takes so much to get there. It's still a battle every day, but I feel happy because I feel like I cracked the code and figured out how to work through it. Now I want to give the map to other women.
The reason I am so passionately committed to the psychedelic thing is because I see it as radical, and if this is not the moment for radical solutions, what is?
We who don't want radical Islam to spread must compete with the agents of radical Islam. I want to see what would happen if Christians, feminists and Enlightenment thinkers were to start proselytizing in the Muslim community.
Our country's liberation struggle arose as a consequence of the contradiction between colonized and colonizers, between exploited and exploiters. Reformist patterns of nationalist pressure were precluded by the very nature of colonial fascism.
You think OWS is radical? You think 350.org was radical for helping organize mass civil disobedience in D.C. in August against the Keystone Pipeline? We're not radical. Radicals work for oil companies. The CEO of Exxon gets up every morning and goes to work changing the chemical composition of the atmosphere. No one has ever done anything as radical as that, not in all of human history.
Radical transparency is critical to having an idea meritocracy because it shows what's actually happening without spin and prevents people from maneuvering politically behind each others' backs. It brings problems and weaknesses to the surface and allows people to see how they are dealt with, so it's great for training people on how to deal with real problems.
We're a microcosm of America and are blessed to live in a country that's so diverse. While it's great for people to see that we can love and respect each other and work together, despite our differences, at the end of the day, we just want to make great music.
I haven't read a book in a very, very long time because, when I'm writing, I don't like to see other people's work. I don't want to see something great and not be able to use it, and I don't want to have any subconscious influences.
You have to learn to deal with your own, for want of a better word, insecurities, fears. They don't go away. And that's normal. It's human. You don't ever really want to lose that. What you want to do is learn to manage it and to work with yourself. But there's a part of you that has anticipation and fear. And so the important thing to know is that there's nothing wrong with that and that that's normal. You have to learn how to deal with it, certainly, but it doesn't keep you from doing it. And that doesn't go away ever.
In a musical, I believe that choreographers are under a great deal of pressure. There's not always the freedom to do what you want to do, because if it ends up being too long the dance breaks are the first thing that will go, because you can't make the story shorter.
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