A Quote by Susan Hill

I was an only child who was never really good at anything else. I had no other option. I could write; I wanted to write; I wrote. Otherwise, I was unemployable. — © Susan Hill
I was an only child who was never really good at anything else. I had no other option. I could write; I wanted to write; I wrote. Otherwise, I was unemployable.
I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
I had hardly begun to read I asked how can you ever be sure that what you write is really any good at all and he said you can't you can't you can never be sure you die without knowing whether anything you wrote was any good if you have to be sure don't write
'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.
I've never done anything but what I wanted to do with my life. I don't think too many people can say that. I wrote the songs I wanted to write, for me. I had no idea that 'American Pie' would relate to anybody.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
It seemed to me that I could write commercial fiction. I wasn't sure whether I could, or whether I wanted to write serious fiction at that point. So I said, 'Let me try something else,' and I wrote a mystery - but I didn't know much about it.
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
I thought Cheever was magnificent and that if I could write like him that would be the best I could do. And then I realized that what I really wanted to write had nothing to do with what he was doing.
I wanted to write and then I saw Pierrot and I understand that I could express myself in a more... Also probably, I had an intuition that if I was going to only write, I will stay in one room all the time and never go out. I felt that if I was going to make movies, I would have to communicate with people and it would be good for me.
I started writing in my 20s. I just wanted to write, but I didn't have anything to write about, so in the beginning, I wrote entertainments - mainly murder mysteries.
I wrote about a bird that cleaned a crocodile's teeth. The story was so good that my teacher could not believe that a ten-year-old could write that well. I was even punished because my teacher thought I'd lied about writing it! I had always loved to write, but it was then that I realized that I had a talent for it.
You can't write anything you want. Once you write that first chapter, then everything else is determined. You can write anything you want, but only one thing works.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
The writings are often written in a kind of exhaustion or delirium, I try very hard not to censor myself, to be as honest and vulnerable as possible, as one would in a diary. As a child I used to write my diaries backwards in cursive. No one else could understand them. I think it trained me to be bold and admit feelings that I might feel otherwise scared to write down.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
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