A Quote by Susan Hill

Though they don't always have to be set in fog, weather is incredibly important in ghost stories. As is suspense: you've got to turn the screw very, very slowly. — © Susan Hill
Though they don't always have to be set in fog, weather is incredibly important in ghost stories. As is suspense: you've got to turn the screw very, very slowly.
Suspense is very important. Even though this is humor and they're short stories, that theory of building suspense is still there.
I have only read very classic traditional English ghost stories, other than Henry James, who wrote some magnificent short ones as well as the longer 'Turn of the Screw.' He, Dickens, and M.R. James are my influences.
One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'
If you were on the surface of Venus, assuming you could see the Sun, which, you know, would be hard because it's so cloudy there, but the Sun would actually rise in the west and set in the east. And, it would do so very, very slowly, because the planet rotates incredibly slowly.
It's such a pleasant experience [being a part of the DC Universe], though very nerve-wracking to come on to someone else's set, essentially. They've been there for two years, so for me to sort of walk on and to be expected to jump into it, it's not always that easy. But they made it incredibly welcoming and hospitable, so I'm very grateful for that.
There is no particular source my stories come from. The stories always seem to be there waiting for me, though sometimes shrouded in mist and fog.
I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.
Even though you try very hard, the progress you make is always little by little. It is not like going out in a shower in which you know when you get wet. In a fog, you do not know you are getting wet, but as you keep walking you get wet little by little. If your mind has ideas of progress, you may say, 'Oh, this pace is terrible!' But actually it is not. When you get wet in a fog it is very difficult to dry yourself.
I've got to where I've always wanted to be. I just feel more myself, and I've learned not to care what other people think. It's happened slowly, very slowly. But I did it.
Many people told me such convincing ghost stories that I felt that there really were ghosts, though I hadn't seen any. And though I still haven't seen a ghost, I feel that they are all around us; we are just not aware of them being there.
I'm a huge fan of ghost stories, that sort of slow build, the suspense and the questioning about whether you're imagining something or if it's real.
Hitchcock had a charm about him. He was very funny at times. He was incredibly brilliant in his field of suspense.
Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them.
Remember to get the weather in your damn book-weather is very important.
When I got the invitation to be part of 'The Ghost' or 'The Ghost Writer,' as it's now known, from Mr. Roman Polanski, my interest level was very piqued. I was very excited and pleased to get such an offer from Mr. Roman Polanski.
As I got older though I wanted a life of my own. The classical training was very demanding and thorough. It was a very sheltered existence. Even though I heard blues and gospel on the radio sometimes, it was always back to the piano and study and give recitals.
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