A Quote by Susan Howatch

It is an author's primary duty to entertain. Sling out all the philosophical terms, but keep the reader turning the page. — © Susan Howatch
It is an author's primary duty to entertain. Sling out all the philosophical terms, but keep the reader turning the page.
My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
I want the reader to turn the page and keep on turning to the end.
I want the reader to turn the page and keep on turning until the end.
Transitions are critically important. I want the reader to turn the page without thinking she's turning the page. It must flow seamlessly.
The sling is to a rifle what the holster is to a pistol. If you have a sling, chances are you will keep the rifle with you. If there is no sling present, you will set the rifle down. When you are at the absolutely farthest point away from the rifle that you can possibly get, you'll need it.
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
Reading asks that you bring your whole life experience and your ability to decode the written word and your creative imagination to the page and be a co-author with the writer, because the story is just squiggles on the page unless you have a reader.
The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.
You need to give the reader a reason to turn the page. In a diary, you are just yourself. You aren't trying to entertain. You aren't trying to get anyone to turn the page. I have over one hundred and fifty six volumes of my diary and I guarantee you that if you read them, you'd stop and never come back.
If a reader likes a particular author, they keep reading all his books, and if the supply is not kept up, then the reader shifts his loyalties.
The art of fiction is one of constant seduction. You must persuade the reader on page 1 to start reading - on page 50, or page 150 and yes, on page 850.
Why do you keep reading a book? Usually to find out what happens. Why do you give up and stop reading it? There may be lots of reasons. But often the answer is you don't care what happens. So what makes the difference between caring and not caring? The author's cruelty. And the reader's sympathy...it takes a mean author to write a good story.
With the audience I write for, I want to make sure that the reader is eagerly turning every page. I want each of my books to be an absorbing reading experience, an authentic piece of literature. The worst thing that can happen is for a book to have a chilling effect on the reader, to have a kid pick it up and look at a bunch of footnotes and think, No, I'm not going to read this, it's too intimidating.
The primary duty of an exception handler is to get the error out of the lap of the programmer and into the surprised face of the user. Provided you keep this cardinal rule in mind, you can't go far wrong.
Humor is necessary - it allows the reader to come up for air before dunking them under again. I need humor and I need it on the page to keep the reader going.
A world of possibilities awaits you. Keep turning the page.
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