A Quote by Susan Lucci

I grew up loving Broadway musicals. I'd put on my parents' cast albums and stand on the stool and sing in the mirror. — © Susan Lucci
I grew up loving Broadway musicals. I'd put on my parents' cast albums and stand on the stool and sing in the mirror.
I grew up going to musicals with my mom here in New York, going to Broadway. I used to be in musicals in high school.
I grew up loving musicals. My mom had records of original cast recordings, and one of them was 'She Loves Me.' I wore that thing out singing along to Barbara Cook when I was eight years old.
With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
I grew up sort of lower working class. And I just didn't want to have the money struggles that my parents had. You know, I could just - as loving an environment I grew up in - and I grew up in a great home, a very loving home - but, you know, we had that stress. We had that stress in our life.
There are no large-scale original musicals being made right now. They're all Broadway adaptations and jukebox musicals or catalog musicals, and they just don't interest me as much.
I grew up loving music and being super involved in church choir and school musicals and such, but when I started writing is when I fell in love with the idea of doing it for the rest of my life.
I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
Broadway musicals, where you sing the whole time, I really don't like; I like alternating dialogue and music.
I grew up loving movie musicals and Idolizing Fred Astalre. I never worked with Fred but I met him once at a pool hall in Van Nuys.
I love musicals. I grew up on musicals.
I studied at Guildhall and did the acting course, but because I could sing a bit, I kept being cast in musicals.
Nobody knows I sing. Even though I've done Broadway musicals. I would only pick it over acting because it's such a pure form of emotional expression.
There was a stool there, and some fella kept asking me if I wanted to sit down. When I saw the stool sitting there, it gave me the idea. I'll just put the stool out there and I'll talk to Mr. Obama and ask him why he didn't keep all of the promises he made to everybody.
There was a stool there, and some fella kept asking me if I wanted to sit down. When I saw the stool sitting there, it gave me the idea. I'll just put the stool out there and I'll talk to Mr Obama and ask him why he didn't keep all of the promises he made to everybody.
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