A Quote by Susan Messing

When the audience isn't laughing, that doesn't mean that they're not fascinated. — © Susan Messing
When the audience isn't laughing, that doesn't mean that they're not fascinated.
Just because you're laughing, it doesn't mean the audience will, necessarily.
In theater, it's just you and the audience. It's less of a popularity contest. It's just you and the audience, and they're laughing or they're not laughing, that's the only gauge you really have. But with TV and movies and everything, it's like "Well, did you get a meeting at so-and-so?" and "So-and-so's really hot right now," which is all the stuff I'm probably still not used to.
When I was a kid I would get upset when people laughed at me when I didn't mean to be funny. I would always hear,'We're not laughing at you. We're laughing with you.' But I would say, 'I'm not laughing.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
One thing I hate in ethnic comedy is giving the audience the opportunity to laugh in a racist way at a thing. A lot of times dwarf comedians will do that, Arab comics, and gay comics will do it; everyone is laughing, but they're not laughing at the joke, they're laughing at this crazy character.
I remember certain people in the audience laughing and I wanted to ask: 'What are you laughing at? This isn't funny.' Now I realize that laughter can come from insecurity. They don't know how they should be feeling.
When an audience is laughing, that's opening their souls somehow, and when you have an audience with an open soul, it's much better to hit them with a knife.
In point of fact, I'm not sure there are too many comedies with laugh tracks anymore. Most of what you hear is live studio audience laughing as a show is filmed. If this prompts you to wonder who those actual human beings are who are laughing at some of this stuff, that is a mystification I share.
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.
In fact, I think more broadly about what an audience requires, but I want an audience to be fascinated by the process of finding an answer, or finding out there isn't one.
I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.
It is impossible to foretell the future with any degree of accuracy, that it is impossible to rehearse life. A fault in the scenery, a face in the audience, an interruption of the audience on to the stage, and all our carefully planned gesture mean nothing, or mean too much.
The theatre for me is much more satisfying as an actor because you are working in front of a living, breathing, throbbing, gasping, laughing and hopefully applauding audience. And the immediate connection you get with that audience is very satisfying.
I'm sort of laughing and so Zach [ Galifianakis] started laughing [on the set of The Hangover]. And Todd [Phillips] was baffled because what we were saying wasn't that funny, you know what I mean? And it was like all the baby's face. So Todd was like, 'What is going on? Get it together guys.'
I think people need to laugh everyday. Whether the economy is good or bad, I think the most important thing is to laugh and to feel positive, if you are laughing at something positive. But if you are laughing at mean jokes then it's a wash.
I don't think I'm all that interesting. I mean, I'm a guy who does a morning show and goes to bed at 9:00 every night. I mean, I don't have a lot in my life that's really fascinated or fodder for tabloids.
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