A Quote by Susan Minot

Writing an adaptation is not so much a collaboration as it is a series of steps. You're basically creating a blueprint for something else. — © Susan Minot
Writing an adaptation is not so much a collaboration as it is a series of steps. You're basically creating a blueprint for something else.
You're creating ' it comes from the heart, the spirit, the soul. You're not manufacturing somebody else's plan, somebody else's blueprint, somebody else's idea that's not yours. So when you're creating, that's the beauty side of art, you know? It comes from within you.
When you're writing something new, writing something that's your own, basically you have nothing else to do except either invent a trick, use someone else's trick, or have no trick and get a bad performance.
Writing a comic book series, you're so reliant on whoever the artist is. It truly is collaboration.
Whenever I'm out and I hear something, I'm writing. It's the process of writing it down and then just always creating wherever you go. I never stop creating.
I'm creating my own oasis in my house. I've got a lot of calming, soothing things around my house. The way it's set up, it's supposed to just be a breath of fresh air. I can find solace in painting and writing. I honestly love what I do, so it's not too much for me. Creating is something I've always been able to do, whether it's making little cartoons or writing a full-length script. It's something I really, really enjoy. I'm trying to make the best of what I've been given.
Shane Salerno and I adapted my book Savages together, and I learned a lot about adaptation. I think it's an extremely difficult thing to do; adaptation might even be more difficult than writing an original screenplay. It's so much a matter of choices, making choices of what to leave in. It was an education.
By the time I was doing "Kill Bill," it was so much filled with prose that, you know, I start seeing why people write a screenplay and make it more like a blueprint, because basically I had written - in "Kill Bill," I had basically written a novel, and basically every day I was adapting my novel to the screen on the fly, you know, on my feet.
It [going from mini-series to series] was never even discussed because it [The Starter Wife] was, you know, an adaptation of a novel. And we - the mini-series encompassed the whole novel. And so it was always going to be a finite sort of event. And then I imagine when people started to really respond to the show and then we got ten Emmy nominations, USA sort of said, "Oh, I think maybe we have something here."
As much as we think that it is important to just focus at home, by focusing on other places in the world we really do take steps towards creating a more peaceful structure. It is all something that we can enjoy.
Writing is the basis of all, because creating something that didn't even exist before is like taking an empty canvass. It is a wonderful thing to make something out of nothing. You've got an empty page, you've got an idea, and then you start typing and that is the most thrilling thing of all. And then if it becomes a movie or something else that's a plus, but the original writing of it is what's very exciting.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
Writing and producing television very much speaks to the extroverted part of my personality. I love collaboration, the joint effort of hundreds of people working together to create something. But the other part of who I am is extremely introverted. I love being alone and dreaming up ideas and writing novels.
Life is a series of baby steps along the way and if you add up these tiny little steps you take toward your goal, whatever it is, whether it's giving up something, a terrible addiction or trying to work your way through an illness. When you total up those baby steps you'd be amazed over the course of 10 years, the strides you've taken.
The reason I spend thousands of lifetime hours creating something 99 percent of which no one else is likely to ever read is that writing itself is the gift.
When I'm in heavy-duty writing mode, there's something great about reading a series. Soothing, but not distracting too much.
He wondered what kind of blueprint beavers had for creating such a structure-or did they simply start aimlessly weaving stuff together until they had a dam? Did they even think about creating a dam? Maybe dams were simply accidents that resulted from their fooling around, much like the Army Corps of Engineers' accomplishments.
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