A Quote by Susan Minot
When I was in my teens and twenties, I could see friends expressing how radical they were, and I envied them, the way they lived, the way they dressed. Maybe there is a part of me that is reserved, even in rebellion.
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I do have a family, and I do have friends, and so-called friends, and acquaintances, and many other people I see only around Christmas time. Maybe they could vouch for me. Maybe they could testify to my existence and save a part of me that thinks I'm no better than a bag of potato chips.
When I was growing up - say in the fifties - the thirties to me didn't even exist. I couldn't even imagine them in any kind of way, so I don't expect anyone growing up now is gonna even understand what the sixties were all about, anymore than I could the thirties or twenties.
I believe there are huge numbers of people in this country who would be willing to have radical changes in our economic and social system in order to make it a more egalitarian society and do away with homelessness and hunger and clean up the environment. But these people have no voice. They have no way of expressing themselves. Elections give them no way of expressing themselves.
I always felt like I could be funny, but there was a part of me that always judged actors so harshly... I thought all actors were dumb-that they must have serious emotional problems. Even if they don't, that's the perception I had of them. I didn't want anyone to see me that way.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
In your late teens and early twenties, everything is idealism. Everything should just work in black and white. That's good. You need that. I think most revolutions are started by people in their teens and twenties.
What bothers me is that I don't see the eagerness for a genuine solution to the political people on the opposite side. They want to continue to use the grievance, to use whatever happened hundreds of years ago that did not even happen to them, as a way of expressing how this country is failing or is less than decent and good.
My political views have definitely changed over the years. Maybe a better way of saying it is that I have grown into my convictions; the values and ideas of radical feminism that I started to articulate in my late teens feel more internalized or "second nature."
I've always cared about my personal style and the way people perceive me. I know a lot of times people don't get the opportunity to talk to me, so they're just going to see what I wear, see how I'm dressed, see how I present myself.
Tell me how you could say such a thing, she said, staring down at the ground beneath her feet. You're not telling me anything I don't know already. 'Relax your body, and the rest of you will lighten up.' What's the point of saying that to me? If I relaxed my body now, I'd fall apart. I've always lived like this, and it's the only way I know how to go on living. If I relaxed for a second, I'd never find my way back. I'd go to pieces, and the pieces would be blown away. Why can't you see that? How can you talk about watching over me if you can't see that?
When two kids came along, I couldnt see how I could support them. The way it played out, I was away from the theatre for five years. I was a postie for the first part and then worked as an advertising copywriter, but I somehow found my way back.
On the very last day of shooting [of The Last King of Scotlang], I remember wanting to get the [Idi Amin] character out of me right away, as much as I could. You literally take a bath to wash him off you. Luckily, I went into another part not so long afterwards, so I was kind of able to push it away a little bit. But speech patterns, and little sounds, particularly colloquial things, like the way you ask questions or might respond, were sticking with me, probably because I'd worked so hard to make it a part of my everyday way of expressing myself.
The way you talk to your teammates and push them and the way you treat them is important. There is a fine line between trying to help your teammates and criticizing them. The toughest part for me is how to keep my teammates accountable but at the same time do it in a loving way that doesnt judge or condemn them. It's definitely been a struggle and I'm trying to learn how to lead consciously in a way that honors God.
I could even feel how perishable all my moments really were, how all my life they had come to me begging to be lived, to be cherished even.
Maybe if people can't have an end to their suffering, the next thing they seek for is to know why they suffer. Suffering is a part of life in this world, part of a cycle....Stories give you a way to see things. A way to understand the events of your life. Even if you don't realize it while you're hearing the tale.
Maybe it's my freak flag that, when I go to a haunted mansion, I would rather blend in with them and be part of the story rather than have someone jump out at me. To be part of the fantasy seems way more interesting to me, to embed myself in there and just drop in, in that way.
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