A Quote by Susan Minot

I love 'Anna Karenina.' It's in the top five books on my list. Tolstoy is unsurpassed in combining the grand with the trivial, that is, the small details which make up life.
Love. The reason I dislike that word is that it means too much for me, far more than you can understand." - Anna Karenina {Anna Karenina}
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that the author or editor provides a list of characters to keep them straight. Or it may be an intimate cast of two.
When I was growing up, 'Anna Karenina' was one of my favourite books.
It’s Tolstoy, by the way,” I say as I open the door. He turns around. “What?” Shut up, I tell myself. Shut up. “The writer of Anna Karenina. Not Trotsky. Trotsky was a revolutionary who was stabbed with a pickax in Mexico in 1940. But I can understand how the T thing could confuse you.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
In high school I read [Lev] Tolstoy's "Anna Karenina" and loved it. Then I read [Friedrich] Nietzsche's "On the Genealogy of Morals" and that hit me hard. I don't know where I got it. My parents warned me not to mention either of those books when I went for my college interviews so I wouldn't seem like an egghead. They told me to talk about sports.
A great writer is a great writer... Tolstoy was not a woman, but 'Anna Karenina' is still a pretty good book.
Tolstoy didn't know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half-human status of the Russian peasant classes. In 'Anna Karenina,' nineteenth-century life itself is a relentless, relentlessly modern machine, flattening those who oppose it.
With 'Anna Karenina,' I just think it's a stunning visual tour de force for a director who is at the top of his game.
I must have read three-quarters of 'Anna Karenina' on my phone. Which might be a record.
The truly great books are always novels: 'Anna Karenina,' 'The Brothers Karamazov,' 'The Magic Mountain.' Just as with 'Shahnameh,' I browse these books from time to time to remember how a great book works on us or to teach my students at Columbia University.
If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.
The ideal woman which is in every man's mind is evoked by a word or phrase or the shape of her wrist, her hand. The most beautiful description of a woman is by understatement. Remember, all Tolstoy ever said to describe Anna Karenina was that she was beautiful and could see in the dark like a cat. Every man has a different idea of what's beautiful, and it's best to take the gesture, the shadow of the branch, and let the mind create the tree.
Wishing there were more children's books like 'The Snowy Day' is a bit like wishing there were more grownup books like 'Anna Karenina.' There are only so many masterpieces out there.
I went back to Australia to do a show called 'The Beautiful Lie,' which is a retelling of 'Anna Karenina' in a six-part mini-series - a modern, contemporary version.
I want to be amongst the top 10, if not top five filmmakers. Though I don't think I'd stand even in the list of top 30 actors.
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