A Quote by Susan Orlean
In my perfect world, we would establish perhaps four national zoos of unimpeachable quality and close the rest of them.
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Zoos are becoming facsimiles - or perhaps caricatures - of how animals once were in their natural habitat. If the right policies toward nature were pursued, we would need no zoos at all.
People forget the good that zoos do. If it weren't for zoos, we would have so many species that would be extinct today.
Imagine if you succeeded in making the world perfect for your children what a shock the rest of life would be for them.
Sometimes I would like to cry. I close my eyes. Why weren't we designed so that we can close our ears as well? (Perhaps because we would never open them.) Is there some way that I could accelerate my evolution and develop earlids?
In a perfect world perhaps we would all see more clearly. But this is not a perfect world, and it is enough to hope that each of us will share our talents, and find the balance between greed and benevolence that will allow us to live and thrive and help the world around us grow.
Some anthems are great for sports. You've got the Russian national anthem... 'O Canada,' how wonderful is that for hockey... but I chose the Italian national song because at my first World Cup, I saw the Italians play four times, and they won all four times - they won the championship.
If zoos are like arks, then rare animals are like passengers on a voyage of the damned, never to find a port that will let them dock or a land in which they can live in peace. The real solution, of course, is to preserve the wild nature that created these animals and has the power to sustain them. But if it is really true that we are inevitably moving towards a world in which mountain gorillas can survive only in zoos, then we must ask whether it is really better for them to live in artificial environments of our design than not to be born at all.
In life, (the fashion world) is full of sharks. In this world the young girls lose themselves; become the property of others, live but for the job and their craziness...they don't know anymore where their home is. Many take drugs. It's strange. Perhaps the girls understand that this does not work for me. I don't have many friendships with other models. I respect them and enjoy working with them, but I probably would not invite them into my home. My house is like my heart, and I open it only to those with whom I have a close relationship.
Once established with Great Britain, it would not be difficult, with moderation and prudence, to establish permanent peace with the rest of the world, when our most sanguine hopes of prosperity may be realized.
Stop going to the zoos! Don't take your children to the zoos! No creature ever deserves captivity without any crime!
I've done some stuff with Thomas Jane and Tim Bradstreet in the comic world and it was interesting to me how close to a screenplay a comic can be. Certainly a four issue comic can be a four act structured screenplay and so I would totally be for that.
To our senses, the elements are four and have ever been, and will ever be for they are the elements of life, of poetry, and of perception, the four Great Ones, the Four Roots, the First Four of Fire and the Wet, Earth and the wide Air of the World. To find the other many elements, you must go to the laboratory and hunt them down. But the four we have always with us, they are our world. Or rather, they have us with them.
There's a space at the bottom of an exhale, a little hitch between taking in and letting out that's a perfect zero you can go into. There's a rest point between the heart muscle's close and open - an instant of keenest living when you're momentarily dead. You can rest there.
I write for myself, and perhaps for half a dozen friends. And that should be enough. And that might improve the quality of my writing. But if I were writing for thousands of people, then I would write what might please them. And as I know nothing about them, and maybe I'd have a rather low opinion of them, I don't think that would do any good to my work.
When I'm writing, I try to have the mask of my character on as I'm walking through the world. When I'm not at my desk, the rest of the time, I try to stay in that character and see the world the way that character would It's almost like method acting in a way — keeping the character close the way the actor keeps a script close and always tries to be in character.
The photograph, now they are detached from their original surroundings, they are involved in a close world in which they only relate to each other: all the rest of 'reality' has vanished. This allows us to see those elements from a new point of view and perhaps to reach a better understanding.
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