A Quote by Susan Orlean

I am dismayed to realize that much of the advice I used to parcel out to aspiring writers has passed its sell-by date. — © Susan Orlean
I am dismayed to realize that much of the advice I used to parcel out to aspiring writers has passed its sell-by date.
The only advice I can give to aspiring writers is to write the book that you would want to read, and hope other people agree.
Chekhov used to correspond with aspiring writers, and once he gave this advice to Maxim Gorky when he was encouraging him to pare his wordy sentences: "When someone expends the least amount of motion on a given action, that's grace." The short story, by definition, embodies this notion of grace, because it requires such forceful compression to achieve its effects.
The single best piece of advice I give to aspiring writers is to always write about things that they know. I suggest that they write about people and places and events and conflicts they are familiar with. That way their writing will be real and hopefully readers will respond to it. I try to take my own advice.
Here's my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition. No one else is capable of doing what you do.
The only advice I can give to aspiring writers is don't do it unless you're willing to give your whole life to it. Red wine and garlic also helps.
The best advice I can give a young aspiring singer is not to become an old aspiring singer.
A word of advice for all the aspiring drag queens out there: be resourceful.
No one has ever asked me to give a graduation speech. But in my years of working with aspiring entrepreneurs, many of them in college, I've gotten used to giving advice.
My advice to aspiring actors and writers is that your career's success is totally your responsibility. You need to make it happen. There is no end point to an artist's work, no set time line you have to live up to.
Never give anyone the advice to buy or sell shares, because the most benevolent price of advice can turn out badly.
When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
Most writers stick to what they know. The black experience is our experience, so it's not that challenging for us. That's why sometimes you'll see writers that start off telling black stories, but later branch out into other material. People say they "sell out." No, they evolve as writers.
My advice to aspiring performers is trust your instincts, 9 times out of 10 they are perfect.
I used to hang out with a group of aspiring directors before 'Pizza' happened. We used to discuss a lot of stories all the time.
Neoconservatism' once had a real meaning - back in the 1970s. But the label has now become meaningless. With many of those who are described as neocons, including me, fleeing the Trumpified right, the term's sell-by date has passed.
My advice for aspiring writers is threefold.First, read as much as possible, both within and outside the genre you arem working in. By reading you hone your internal ear for style. Second, write. Everything comes down to it; unless you write, you are not a writer. Third, submit your work. But - stop chasing every seductive new market out there, and stop trying to write for the tastes of specific established professional markets and editors. That way lies mediocrity and eventual dissolution of your true voice, no matter how embryonic or pronounced it may be now.
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