A Quote by Susan Orlean
The genius of a folk melody or story is not the feeling that it's original but quite the opposite - the feeling that it has existed all along.
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What else is the power of melody but the power of feeling? Music is the language of feeling; melody is audible feeling - feeling communicating itself.
Shudder, in fact, is not quite the word for the feeling. Feeling is not quite the word for the feeling. How's bathing at knifepoint in the phlegm of the dead? Is that a feeling?
Capitalism has created a situation called scarcity. And that scarcity is not natural, it's socially induced. Along with that sense of scarcity, or feeling of scarcity, is a feeling of economic insecurity. Along with that is a feeling of deprivation... And unless we can demonstrate that that feeling is not justified technologically, we will not be able to speak intelligently to the great majority of people and reorganize our economy so that we really know what needs are rational and human and what have been created, almost fetishisticaly, by the capitalist economy.
Feeling good and feeling bad are not necessarily opposites. Both at least involve feelings. Any feeling is a reminder of life. The worst 'feeling' evidently is non-feeling.
Folk music is the original melody of man; it is the musical mirror of the world.
For how smart we think we are, how facile with words, we don't have a word for this feeling, the feeling of being blessed by belonging. If the universe is an unfolding bud, then I am a part of its creative surge, along with the flowing of water and the growing of pines. I can find a kind of camaraderie in this universe, once I recover from the astonishment of it. Or maybe not camaraderie exactly. What is the opposite of loneliness?
When you are playing with someone who really has something to say, even though they may be otherwise quite different in style, there’s one thing that remains constant. And that is the tension of the experience, that electricity, that kind of feeling that is a lift sort of feeling. No matter where it happens, you know when that feeling comes upon you, and it makes you feel happy.
There is no better feeling than the feeling that I have done something right. That feeling comes so rarely and is so fleeting that I can never really enjoy it. So in a way, it's not a good feeling at all.
You want to have a feeling when you sing that you just love singing; you love the feeling of singing, and you love this feeling of this voice coming out of your body into this world. It's about really getting that most beautiful, pure, centered tone, thinking about the story of each song and the lyrics, and connecting your own life to that story.
Feeling animalistic. Feeling Hyena. Feeling Wolf. Feeling Dog. I am tongue and heart.
There is no feeling to be compared with the feeling of having written and finished a story.
The melody and the structure of a song always comes first for me, so the emotions behind it can sometimes be a challenge: What am I feeling about this song? Where did the melody come from? I want it to be heartfelt.
I don't know about folk music. I play guitar, so there's a feeling I make folk music.
It is not quite right to describe One Taste as a "consciousness" or an "awareness," because that's a little too heady, too cognitive. It's more like the simple Feeling of Being. You already feel this simple Feeling of Being: it is the simple, present feeling of existence.
I love the feeling of being on the hunt - the feeling that the story is refusing to be solved in some lesser way and is insisting that you see it on its highest terms.
Most people's intuitions are drowned out by folk sayings. We have a moment of real feeling or insight, and then we come up with a folk saying that captures the insight in a kind of wash. The intuition may be real and ripe, fresh with possibilities, but the folk saying is guaranteed to be a cliche, stale and self-contained.
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