A Quote by Susan Sarandon

I think it's very hard to be naked in a scene and not be upstaged by your nipples. — © Susan Sarandon
I think it's very hard to be naked in a scene and not be upstaged by your nipples.
I think it can be hard for any man to sometimes be upstaged by his wife. So when I'm home, I work very hard to be Todd's wife and Jade's mother. I have no problem going back to those traditional roles. I try to be Giada, the young girl that he met 20 years ago and fell in love with.
I’ve got four nipples. I think I must have been a twin, but the one other went away and left its nipples behind.
Even if you’ve taken off every stitch of clothing, you still have your secrets, your history, your true name. It’s hard to be really naked. You have to work hard at it. Just getting into a bath isn’t being naked, not really. It’s just showing skin.
I don't think a naked body is particularly shocking or interesting ... It's not the culture I was raised in. I was not brought up in the United States. I don't share the [attitude] that you can have graphic violence, but - God forbid - you see someone's nipples.
In Hollywood, you've got a hundred people on set, and shooting the sex scene you're wearing nude-toned underwear and tape on your nipples. Nothing is going beyond where you want it to go.
To be naked or even making love in a scene to me is very important if this is a movie about a couple or sensuality. It's a sort of moralism to think that this shouldn't be seen in the film.
Opinions are like nipples, everybody has one. Some have firm points, others are barely discernible through layers, and some are displayed at every opportunity regardless of whether the audience has stated "I am interested in your nipples" or not.
For a sitcom sex scene, you get in bed and that's the end of the scene. It quick and it was fast, but it was foreign territory for me. Not for Bobby. Bobby Cannavale has been down that road before. With my character, I think it will be a one-and-out. I don't think you'll see my character [in Vinyl] naked again, so relax everybody.
You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
Naked I came, naked I leave the scene
Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.
That makes my nipples hard!
I try to not overthink anything. I don't understand why nipples are nudity. Who cares? Men can show their nipples but if we have breasts we can't show them?
Naked I came into the world, naked I shall go out of it! And a very good thing too, for it reminds me that I am naked under my shirt, whatever its colour.
Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.
Nipples aren't killing children. They should be more concerned about the wars that are happening. There's so much violence in the world. There are so many legitimate things to be upset about besides nipples.
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