A Quote by Susan Sarandon

I'm kind of a nerd, so whenever I get a chance to talk to an artist I really admire, I tend to gravitate to process. — © Susan Sarandon
I'm kind of a nerd, so whenever I get a chance to talk to an artist I really admire, I tend to gravitate to process.
I try to explain to people that you get the roles that are right when they're right. If you have a nerd character but you're kind of a cool guy, you're probably not going to get the nerd part. The nerd is going to get the nerd part. You know, someone like me.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
I'm really happy to have the chance to talk about the editing process. It's something that I think doesn't get the weight it deserves, especially with the rise of self-publishing.
For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.
I was really a nerd, and I was really more of a jazz nerd. So when I had my chance to put on something, most of the time it was going to be jazz, or gospel, or something like that.
People I admire have two qualities: a kind of simplicity, and generosity of spirit. It seems to me that the more impressive people are in what they have done, the simpler they tend to be in how they talk to you, or in what they say or write.
It's kind of shocking to me, actually, that I've almost been stereotyped, in a way - physically - because, I didn't get good grades in school; I got in a lot of fights. I wear glasses because I don't want something tugging my eyeball, but I wouldn't consider myself a 'nerd.' I don't know what really makes someone a nerd.
Whenever people are faced with any sort of adversity... they tend to gravitate toward things that make them comfortable, and things that they feel are important.
I think the inspiration came from the fans. Whenever I'm online or whenever I get a chance to really communicate with the fans and the audience, they always say that they would love to have all of the remixes on one CD.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
My expectation for the first year was to work hard, and whenever I get a chance, whenever I get on the floor, to do my best.
I am a nerd about this sport. I know guys' records, who they fought, how they win, who they're married to, where they eat dinner, what kind of car do they drive. I'm a big nerd of the sport, so it would be easy for me to sit in front of a table of guys and just talk about fighting.
I'm kind of a nerd in that I get really excited about things... I love anticipating if they're going to like their rooms or not.
As an artist, you tend to gravitate to the opposite. I know, when I finish a song or an album, I'm interested in doing something completely new. It doesn't always happen, but that's the idea. My poor fans - I don't know if they love that or hate that.
I've heard some designers talk about the design process being centred on invention, starting with a blank slate. I admire that and occasionally I'm capable of that, but I have to admit that I really have trouble working with completely open briefs.
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