A Quote by Susan Sarandon
I've always had a really developed sense of justice. As a child, I would rotate my dolls' dresses for fear that they might come alive at midnight and one of them would always have the best dress on. Whatever it was that made me worry about my dolls I suppose has paid off in my career because, really, an actor is all about empathy and imagination. And those are the cornerstones of activism.
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When I was a child I loved my dolls and I was practically born with a needle in my hand. I really had an aptitude for sewing - my mother taught me. I even learned to embroider when I was very young and I made the most fantastic dresses for my dolls. So I thought I could be a designer.
Dolls fire our collective imagination, for better and - too often - for worse. From life-size dolls the same height as the little girls who carry them, to dolls whose long hair can 'grow' longer, to Barbie and her fashionable sisters, dolls do double duty as child's play and the focus of adult art and adult fear.
I used to love playing paper dolls with my mother - she would cut them out and I would dress the dolls.
With two older brothers, I was a tomboy in one sense, but on the other hand I really loved dolls. My brothers weren't very happy when I nicked their Action Men to play with my dolls and they were appalled when I made them kiss my Barbies.
Ever since I was a little girl, I loved to make things. I always made dresses for my Barbie dolls. When I was 13, I designed my Bat Mitzvah dress.
I always wanted to play with people's hair. I was really into 'The Golden Girls' and how big their hair was. I always had Barbies and Ken dolls, whose hair I wanted to play with and was always styling. I was very lucky - I never had to wonder what I was passionate about. I've always known that I'm really, really passionate about grooming.
I think if I were reading to a grandchild, I might read Tolstoy's War and Peace. They would learn about Russia, they would learn about history, they would learn about human nature. They would learn about, "Can the individual make a difference or is it great forces?" Tolstoy is always battling with those large issues. Mostly, a whole world would come alive for them through that book.
I've been through everything. I always said I was like those round-bottomed circus dolls — you know, those dolls you could push down and they'd come back up? I've always been like that. I've always said, No matter what happens, if I get pushed down, I'm going to come right back up.
I was always obsessed with being famous. I had Marilyn Monroe paper dolls as a child, and I was always obsessed with her. I've just been really driven in that direction, and none of my friends were. So, I don't know what put that bug in me at a young age.
A child playing with dolls may shed heartfelt tears when his bundle of rags and scraps becomes deathly ill and dies ... So we may come to an understanding of language as playing with dolls: in language, scraps of sound are used to make dolls and replace all the things in the world.
"Statues are too much like dolls, and dolls are creepy. You keep expecting them to blink. And the ones that smile, like this?" Eve kept her lips tight together and she curved them up. "You know they've got teeth in there. Big, sharp, shiny teeth." "I didn't. But now I've got to worry about it."
Through their play Barbara imagined their lives as adults. They used the dolls to reflect the adult world around them. They would sit and carry on conversations, making the dolls real people.
It was the glitter days, and the New York Dolls and Kiss would come play at the Coventry, all those bands would come in from Manhattan.
I was always very maternal with my friends. I wasn't the kind of little girl that played with dolls and pretended I was the mommy. I wasn't that child, so when I say I was always maternal, I don't mean in that sense - but I've always been a nurturer.
I always took a great interest in my clothes. My sister, who was 13 months older, and I always dressed alike, but as I got a little bit older, I didn't like that because I wanted to dress differently. So our mother would put Patty in blue and Polly in pink, or we would wear complementary colors, but the shapes we were wearing were always the same, and I was very interested in that. I also took great interest in my dolls and their clothes.
'Poltergeist' was really the film that really scarred but fascinated me with puppets and dolls, clowns, and stuff like that. I've always been afraid of clowns, and then my fear of puppets came around, and 'Poltergeist' was the perfect combination to scare me with a clown doll.
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