A Quote by Susan Sontag

The most potent elements in a work of art are, often, its silences. — © Susan Sontag
The most potent elements in a work of art are, often, its silences.
In the greatest art, one is always aware of things that cannot be said. . .of the contradiction between expression and the presence of the inexpressible. Stylistic devices are also techniques of avoidance. The most potent elements of a work of art are, often, its silences.
Silences, as every observer knows, have strange characteristics all their own - passionate silences, and hateful silences, and silences full of friendly, purring content.
Cinema is a composite art into which you can include all conceivable art or entertainment forms. In film, I can work with novelistic elements, comedy, drama, music, and other forms of entertainment. Film is a versatile expression, combining all elements into one art form.
Compared to men writers of like distinction and years of life, few women writers have had lives of unbroken productivity, or leave behind a 'body of work.' Early beginnings, then silence; or clogged late ones (foreground silences); long periods between books (hidden silences); characterize most of us.
I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood. That the speaking profits me, beyond any other effect....what I most regretted were my silences. Of what had I ever been afraid? ...Death on the other hand, is the final silence...my silences had not protected me. Your silences will not protect you.
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
As a composer, I believe that music has the power to inspire a renewal of human consciousness, culture, and politics. And yet I refuse to make political art. More often than not political art fails as politics, and all too often it fails as art. To reach its fullest power, to be most moving and most fully useful to us, art must be itself.
In almost every task involving form, there are dozens, often hundreds of contradictory elements, which need to be forced to work in harmony by man's will. This harmony can be acheived only through art.
Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.
Over the years, however, the research evidence keeps piling up, and it points strongly to the conclusion that a high degree of empathy in a relationship is possibly the most potent and certainly one of the most potent factors in bringing about change and learning.
Deception is a developed art of civilization and the most potent weapon in the game of power
Fantasy (in this sense) is, I think, not a lower but a higher form of Art, indeed the most nearly pure form, and so (when achieved) the most potent.
Gene Wolfe has produced a work of art that can satisfy adult appetites and in which even the most fantastical elements register as poetry rather than as penny-whistle whimsy.
In the silences I make in the midst of the turmoil of life I have appointments with God. From these silences I come forth with spirit refreshed, and with a renewed sense of power. I hear a voice in the silences, and become increasingly aware that it is the voice of God.
You’re getting rid of the things that people used to think were essential to art. But that reduction is only incidental. I object to the whole reduction idea…if my work is reductionist it’s because it doesn’t have the elements that people thought should be there. But it has other elements I like.
Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
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