A Quote by Susan Sontag

When we're afraid we shoot. But when we're nostalgic we take pictures. — © Susan Sontag
When we're afraid we shoot. But when we're nostalgic we take pictures.
But when we are nostalgic, we take pictures
You have to take a lot of bad pictures. Dont' be afraid to take bad pictures... You have to take a lot of bad pictures in order to know when you've got a good one.
Don't be afraid to take bad pictures, because good pictures are the mistakes of bad pictures.
Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.
It is easy to take good pictures, difficult to take very good pictures, and almost impossible to take great pictures.
Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.
I’m no part time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera. All their friends rave about what wonderful pictures they take. If they’re so good, why don’t they take pictures full—time, for a living, and make floor walking, chiropractics, etc., their hobby? But everyone wants to play it safe. They’re afraid to give up their pay checks and their security they might miss a meal.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
I ain't afraid to love a man. I ain't afraid to shoot him either.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
None of the pictures I take a risk in cost a lot, so it doesn't take much for them to turn a profit. We don't deal in big budgets. We know what we want and we shoot it and we don't waste anything. I never understand these films that cost twenty, thirty million dollars when they could be made for half that. Maybe it's because no one cares. We care.
I'm pretty solitary when I take pictures. Even when I take pictures of people, I just go about my own way of doing it.
My theory is, the more pictures you take, the better you get. It's like a sport. I never wait to get a particular shot because wonderful accidents can happen when you shoot a lot.
I think fame and all that madness, people taking your pictures all the time, drives me insane. It's a catch 22...the more they take pictures of you, the more upset you get by it and the more crazy you look and the more pictures they take of you. I think it's disgusting what's happened with that kind of celebrity culture right now.
It's not an option that you have to buy something in my line. You can hang out, take pictures, shoot video, shout out loud all crazy, whatever you want really, because it's not about money for me. I'm happy to do what I do!
A lot of people... are afraid of pictures which have visible emotions in them. They feel calmer in front of pictures which are placid.
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