A Quote by Susan Sontag

It's beginnings that are hard. I always begin with a great sense of dread and trepidation. Nietzsche says that the decision to start writing is like leaping into a cold lake.
All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.
The scene was set. All that was required was an action, a cold start, instant and brutal as beginnings always are.
Every great decision creates ripples. Like a huge boulder dropping in a lake. The ripples merge and rebound off the banks in unforseeable ways. The heavier the decision, the larger the waves, the more uncertain the consequences.
No one looks at a baby and says, 'You are going to be a great novelist, and you really need to start writing now.' Something in us says: 'This is what I must do.'
Nietzsche says God is dead. Probably now God says Nietzsche is dead! The one that will die is religion, not the God! God will always live!
I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains.
God always gives a great blessing to humble beginnings than to those that start with the chiming of bells.
I was visiting my mother in Florida when the September 11, 2001 attacks happened. I was working on The Tale of Despereaux at that point. I had already gone into writing it with a great deal of trepidation and fear, and then this God-awful thing happens and it was really hard to even get back home to Minneapolis.
My writing life is always a bit disorganized. It's hard for me to get going, but sometimes, once I begin, I go like the wind.
It's kind of like being a writer in the sense that you always hear other writers say, 'Well, the best way to start writing is to just start writing.' The same goes for improvisation. You want to start improvising, just start playing notes. And the more you do that, the more comfortable - or not comfortable - but I guess how you're able to adapt to situations. You become more familiar with your instrument. As soon as you have a musical thought, you can go ahead and add to that musical thought and know your way around.
The ways in which a standardized language test induces storytelling, for example, is the opposite of creative writing; you have to learn a logical way to start a story, whereas in creative writing you may begin at the end or begin at the middle of the story.
Start early and work hard. A writer's apprenticeship usually involves writing a million words (which are then discarded) before he's almost ready to begin. That takes a while.
I always begin [a novel] with outlines, but they change and so do my endings and beginnings.
The great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free.
Perhaps one of the most meaningful ways to sense the impact of the environmental crisis is to confront the question which is always asked about Lake Erie: how can we restore it? I believe the only valid answer is that no one knows. For it should be clear that even if overnight all of the pollutants now pouring into Lake Erie were stopped, there would still remain the problem of the accumulated mass of pollutants in the lake bottom.
Just play the moment, that's the fun of it. You just play the moment. It's great writing and very clever writing, I think it's witty. And I have those great clothes. You have a great, witty, intelligent script and you look like a million dollars, because we have a great costumer, and it's a pretty good place to begin.
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