A Quote by Susan Sontag

As industrialization provided social uses for the operations of the photographer, so the reaction against these uses reinforced the self-consciousness of photography-as-art.
It seems to me that information is the thing which uses matter, uses light, uses spirit, uses whatever it can put its hands on to organize itself into higher and higher levels of self-reflection.
The question of the social uses of photography opens out into the very largest issues of the self, of the relationship to community, to reality.
There is a narrow class of uses of language where you intend to communicate. Communication refers to an effort to get people to understand what one means. And that, certainly, is one use of language and a social use of it. But I don't think it is the only social use of language. Nor are social uses the only uses of language.
All along we find that social life - religion, politics, art - reflects the stages reached in the development of the knowledge of self; it shows the social uses made of this knowledge.
There is undoubtedly much to learn about the social uses of language, for communication or for other purposes. But at present there is not much in the way of a theory of sociolinguistics, of social uses of languages, as far as I am aware.
I think Trump uses social media as a way to get to people's lowest common denominator. He uses it to incite fear. He talks about simplistic ideas.
I think it's fair to say there is a demagogic path that Europeans, South Americans, Asians have pursued, and we know where that leads. It uses xenophobia, it uses paranoia, it uses prejudice, it uses nationalism to really stir people up and to, you know, begin an us-versus-them contrast, which is dangerous and is not something we've had in our politics at a presidential level in America.
To us, the difference between the #? photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #? photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
It's a really big deal to do a spacewalk. It's much riskier than staying indoors. It's complex. It uses up a lot of the precious resources onboard. It uses up oxygen. It uses up carbon dioxide scrubbers.
Man has used human rhythmic movement as raw material out of which to create works of art, as the composer of music uses sound, the sculptor uses stone and wood, the painter his pigments, and the writer - words.
It is true that the trees are for human use. But these are aesthetic uses as well as commercial uses-uses for the spiritual wealth of all, as well as the material wealth of some.
My aspirations are to ennoble Photography and to secure for it the character and uses of High Art by combining the real and Ideal and sacrificing nothing of the Truth by all possible devotion to Poetry and beauty.
It was only after a while, after photographing mines and clear-cutting of forests in Maine, that I realized I was looking at the components of photography itself. Photography uses paper made from trees, water, metals, and chemistry. In a way, I was looking at all these things that feed into photography.
What is of man uses manipulation to conform. What is of #God uses implantation to transform.
Whoever uses force without Right ... puts himself into a state of War with those, against whom he uses it, and in that state all former Ties are canceled, all other Rights cease, and every one has a Right to defend himself, and to resist the Aggressor.
Where the citizen uses a mere sliver or board, the pioneer uses the whole trunk of a tree.
This site uses cookies to ensure you get the best experience. More info...
Got it!