A Quote by Susan Sontag

Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our heads – as an anthology of images. To collect photographs is to collect the world
To collect photographs is to collect the world.
I collect dice and I collect coins. I travel the world so I love dice, I always have dice on me. I collect magnets as well.
I collect Hot Wheels. I collect glass. I collect coins. And I collect cards.
I began to realize that photographs, these still images, have a tremendous power to move your soul. They can change your life by what you choose to get out of them, and I started to collect photographs.
I used to collect comic books. I had a substantial collection. I collect records also, but those have gone the way of the world.
The artist is a collector. Not a hoarder, mind you, there's a difference: Hoarders collect indiscriminately, artists collect selectively. They only collect things that they really love.
I like to go hiking. I like to go rappelling, swimming, biking. I go boogie-boarding. I collect Hot Wheels. I collect glass. I collect coins. And I collect cards.
Sometimes I think we're on this world for three reasons: to be useful, to tell each other stories and to collect stuff. It's the only explanation for eBay. We love to collect stuff, and at least if we're collecting stuff in cyberspace we're not deforesting the Sierra Nevada.
The most striking thing Snowden has revealed is the depth of what the NSA and the Five Eyes countries [Australia, Canada, New Zealand, Great Britain, and the US] are doing, their hunger for all data, for total bulk dragnet surveillance where they try to collect all communications and do it all sorts of different ways. Their ethos is "collect it all."
I am the wealthiest man, not just in Europe, but in the whole world. I collect emotions.
I am myself a professional creator of images, a film-maker. And then there are the images made by the artists I collect, and I have noticed that the images I create are not so very different from theirs. Such images seem to suggest how I feel about being here, on this planet. And maybe that is why it is so exciting to live with images created by other people, images that either conflict with one's own or demonstrate similarities to them.
Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently disappointed, surprised, unmoved when the see the real thing. For photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs us more in photographed form than it does when we actually experience it.
Some people collect coins. Some people collect rocks. Some people collect stamps. I colllect kids and hope I can do something for them.
I don't understand why anyone would collect my work. Please understand... it's like writing Our House. It took me an hour, it was 30 years ago, get over it! But people say, No, no, it changed my life, and I don't understand that. I can't take that seriously as a producer of what I consider to be art. If they want to collect it, fantastic. If you see what I saw when I took it and it means something to you, then by all means collect it. If I make some money, um, fine.
I don't only collect Nazi stuff; I collect objects from all the Axis countries.
Some people collect vintage cars, I collect Birkins. The leather ones are £20,000.
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