A Quote by Susan Sontag

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world -- in order to set up a shadow world of ''meanings.''
In most modern instances, interpretation amounts to the philistine refusal to leave the work of art alone. Real art has the capacity to make us nervous. By reducing the work of art to its content and then interpreting that, one tames the work of art. Interpretation makes art manageable, conformable.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
Interpretation is the revenge of the intellectual upon art.
Today, we're encouraged to believe that we should have a verbal interpretation for what we view as art - when in fact the words are an intrusion on the experience.
The truth is, the way you write music, it's a code. It has to be very precise. It's scientific, but ultimately it also depends on interpretation. It's very similar to how you grow a master plan: it's an objective document, but at the same time it is a lyrical document which allows through interpretation to become a harmonious work of art.
The art of automobile design has progressed, until today it is regarded as one of the most important factors in the marketing of the automobile.
If art is the poetic interpretation of nature, photography is the exact translation; it is exactitude in art or the complement of art. (1854)
All knowledge that is about human society, and not about the natural world, is historical knowledge, and therefore rests upon judgment and interpretation. This is not to say that facts or data are nonexistent, but that facts get their importance from what is made of them in interpretation… for interpretations depend very much on who the interpreter is, who he or she is addressing, what his or her purpose is, at what historical moment the interpretation takes place.
Interpretation, based on the highly dubious theory that a work of art is composed of items of content, violates art. It makes art into an article for use, for arrangement into a mental scheme of categories.
Very few people can communicate with one another. The only language that's not subject to interpretation is mathematics, chemistry, basic science, engineering principles, and applied agriculture. But other than that, many systems today are subject to interpretation.
We do each have an intellect but there's a universal intellect which is the same for everybody, as it were. And this single intellect is grasping the platonic forms.
Since art is a virtue of the intellect, it demands to communicate with the entire universe of the intellect. Hence it is that the normal climate of art is intelligence and knowledge: its normal soil, the civilized heritage of a consistent and integrated system of beliefs and values; its normal horizon , the infinity of human experience enlighted by the passionate insight of anguish or the intellectual virtues of a contemplative mind.
In the past, traditional art was based on making manifest what is enduring in man, like love, jealousy, hatred, envy, and greed... . Today art has to look again at these unchanging qualities, because society is no longer unchanging. It is up to art today to show us what has become of these unchanging qualities in a world which is moving and changing.
Popular culture is the new Babylon, into which so much art and intellect now flow. It is our imperial sex theater, supreme temple of the western eye. We live in the age of idols. The pagan past, never dead, flames again in our mystic hierarchies of stardom.
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