A Quote by Susan Sontag

Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer sensibility at all. It has hardened into an idea. — © Susan Sontag
Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer sensibility at all. It has hardened into an idea.
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up. I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
New York is all about sort of a corporate sensibility, and it is squeezed out room for any other kind of sensibility, money talks, bullshit walks, I guess.
For me, sensibility is the location of talent. Sensibility comes first because only with the right kind of sensibility is talent useful. I've met many people who are extraordinarily talented but have no capacity to go outside of themselves or their field. I love those people, but they would not succeed in our culture.
I have no idea what a British sensibility or a British sense of humor is. I have no concept of what that is. I have no concept of what American sensibility is. I was born in Great Britain, but I was only there for six months, and we moved to Belgium, where I grew up.
Intelligence, that sublimation of the sensibility, that organ of the need to know, is sterilized sensibility.
I think our sensibility is not modernist anymore, that is, sensibility of people who are interested in art and literature.
I'm not an art director; I'm just not. I've always been somebody who has a sensibility that I hope is the same sensibility of others.
Most actors don't really have a director's sensibility. They have an actor's sensibility.
I love Britain, I lived there for nine years doing shows and things, but I don't know what a British sensibility is. I'd like to have someone tell me what an American sensibility is.
You devise ways to tell a story that complies with your sensibility. Style and method are really extensions of your present sensibility.
People want other people to know that they share our sensibility even if they're not exactly sure what that sensibility is.
Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.
If you didn't have the amalgam of Blacks and African-type sensibility and European sensibility, you wouldn't have jazz. Even in the negative and in the positive ways - if there was no slavery and the abolition of slavery, there would be no jazz.
These days there are painters that go inside a factory in order to be inspired by the noise of machines, so that it affects their works. Of course, artists need sensibility; sensibility towards their environment and their community, but when they are stirred enough by their experiences in their society they can create their art in small studios.
I would say that what we called the Pixar sensibility goes back even further. It is kind of a CalArts sensibility because so many of the people who are creative instrumental people at Pixar came from that school.
We have the character of an island nation: independent, forthright, passionate in defence of our sovereignty. We can no more change this British sensibility than we can drain the English Channel. And because of this sensibility, we come to the European Union with a frame of mind that is more practical than emotional.
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