A Quote by Susan Sontag

When something is just bad, it's often because it is too mediocre in its ambition. The artist hasn't attempted to do anything really outlandish. — © Susan Sontag
When something is just bad, it's often because it is too mediocre in its ambition. The artist hasn't attempted to do anything really outlandish.
In December 1989, my mother died very suddenly, and that sparked a re-evaluation of what I was doing, and I realized I was mediocre at everything. I was a mediocre IBM employee, I was a mediocre entrepreneur, I was a mediocre artist. I decided that, although my mom wouldn't be around to see it, I wanted to be great at something.
The artist at her best - wild, passionate, rebellious, and human - is often too large and truthful a creature for society's taste. The artist at her most outlandish - profane, eccentric, even a little mad - is at least as disquieting a figure.
It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will.
If America gave anybody anything it is ambition. Bad things would come out of it because some guys are in a hurry, but that doesn't mean they're evil or anything, it just means they fall into bad grace somehow.
I couldn't draw anything that was too outlandish or too horrible. I never did that. What I did draw was something intriguing. There was something about this monster that you could live with. If you saw him you wouldn't faint dead away.
I was in school for jazz voice, which is the dumbest way to spend $35,000 a year. I just felt like a rip-off of good jazz singers. I didn't feel like I was being anything special, and I always wanted to be special. It's like you know you have something inside you that's gonna make you different than everybody else and make you somebody in this life, but you wish you could figure out what it is, because at most things, you're either mediocre or really, really bad.
I never had any ambition to do anything commercial, anything journalistic. I wanted to be an artist, and I wanted to be an artist whose work was done in the medium of photography. It may be debatable to this day whether I ever succeeded in achieving that ambition, but the point is, I never had any uncertainty about that.
Because fashion essentially is art, and as an artist and someone who is also a musician and an artist in regards to drawing and painting, anything I can do that expresses my feelings is something I'm really drawn to.
You need just the right amount of ambition . . . If you have too little ambition, you don't push or work hard. If you have too much ambition, you put yourself ahead of others, elbow them out of your way.
There's too much bad. The worst is mediocre. Bad is easy. There's high quality, there's pornography, and then there's bad.
In intercourse with scholars and artists one readily makes mistakes of opposite kinds: in a remarkable scholar one not infrequently finds a mediocre man; and often, even in a mediocre artist, one finds a very remarkable man.
...why did Plato say that poets should be chased out of the republic? Precisely because every poet and every artist is an antisocial being. He's not that way because he wants to be; he can't be any other way.... and if he really is an artist it is in his nature not to want to be admitted, because if he is admitted it can only mean he is doing something which is understood, approved, and therefore old hat - worthless. Anything new, anything worth doing, can't be recognized.
I think the more mediocre you are the better you do because people need to think you're their friend, they don't want to be threatened by you, you've got to be warm, you've got to be not too smart, not too pretty, not too anything.
I often tell people to stop being afraid of writing bad poetry, or bad anything. I think that a lot of times, when people claim that they have writer's block, or that they get stuck, it's just because they're scared of writing bad things.
With no matter what human being, taken individually, I always find reasons for concluding that sorrow and misfortune do not suit him; either because he seems too mediocre for anything so great, or, on the contrary, too precious to be destroyed.
There's mediocre jazz, mediocre salesmen, mediocre golfers. If you want to be good, you have to really hone your skills.
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