A Quote by Susan Sontag

What is the most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine. — © Susan Sontag
What is the most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.
What is most beautiful in virile men is something feminine; what is most beautiful in feminine women is something masculine.
I definitely believe that we really need to stop putting things in masculine and feminine boxes and realize that men and women both contain masculine and feminine energy.
Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.
The tragedy of feminine design is that it receives so little official support. Most of the world's design schools, having been organized by men, encourage a masculine approach, even when they are run by women. Yet many designers who are male in the biological sense have a feminine approach to design.
Perhaps both men and women in America may hunger, in our material, outward, active, masculine culture, for the supposedly feminine qualities of heart, mind and spirit — qualities which are actually neither masculine nor feminine, but simply human qualities that have been neglected.
If we keep on talking about masculine and feminine and following those stereotypes, then we will make women suppress and despise their so called masculine qualities and men suppress and despise their so called feminine ones, and that's where all the trouble starts.
You make sexiness strong by balancing it out: something familiar with something unfamiliar, something masculine with something feminine, something streamlined with something rococo. It's a Yin and Yang. Women are made of layers, your mood shifts, no one is neither one extreme nor the other.
I was always made to feel that men were desirable because of their masculinity, and for a boy, being feminine was not something you should be proud of. But, I came to realise it's OK for boys to be feminine, for girls to be masculine and we should all express ourselves however we want.
Women, you have all this power, I'm telling you. In business, you have something called an inferred fiduciary duty to yourself. Look at the other hugely successful women in industry, commerce, science and everywhere else and you'll see women who are feminine, beautiful but also do not rely on men for their self-empowerment.
Childbirth and being pregnant is something that I've always wanted. I feel like you feel the most feminine; you look the most feminine.
I think every individual, and every society, is perfected just in proportion to the combination, and cooperation, of masculine and feminine elements of character. He is the most perfect man who is affectionate as well as intellectual; and she is the most perfect woman who is intellectual as well as affectionate. Every art and science becomes more interesting, viewed both from the masculine and feminine points of view.
My style very much leans towards the masculine, but I think I am feminine in it - I like the feminine body in masculine shapes. The androgynous look suits me.
The masculine DOES while the feminine IS. Major in the feminine, but minor in the masculine.
And all the women are feminine, so we never get to see masculine presenting women and we never get to frame that as beautiful, which it is, and that's incredibly frustrating, so for every gain or benefit that the internet offers there is a liability.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
Rouje is for a feminine woman who likes to look beautiful and be comfortable in her clothes, too. Simple pieces: feminine with a '70s touch.
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