A Quote by Susan Straight
I first drew the attention of my future husband when we were fourteen, on the freshman school bus for an epic field trip from Riverside, Calif. to Los Angeles, where we were taken to the L.A. Zoo as well as the Natural History Museum.
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The Olympics have been an amazing part of Los Angeles' history. In many ways in 1932, they put us on the map when people didn't even know where Los Angeles was. In 1984, they were the first profitable Olympics of the modern era.
First, let me just say that I flew in from Los Angeles last evening. And the plane was absolutely filled with women who were coming from the Greater Los Angeles area to be here. And it wasn't that they were necessarily organized in some particular group. Individual women that I talked to - I said, well, who are you with? They said I'm not with anybody. I just decided I couldn't stay home. I just got up, and I came [to the Women's March].
Our main inspiration [with Alix MacKenzie], I think, came from the Field Museum of Natural History, because they had pieces which were selected not for art content but for their relationship to the anthropological history of mankind.
The Elgin Marbles were supposed to be on the Parthenon. For many works of art, a museum is an artificial setting - a zoo, not a natural habitat.
I have never taken a road trip. Unless you count Los Angeles to Vegas.
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.
My husband is the romantic one in our relationship. He's always doing sweet things for me. Each year, we recreate our first date - it was a blind date, and we met at the zoo, followed by a trip to the museum. I'd have to say that's my favorite romantic date.
Unlike accredited zoos like the Bronx Zoo, San Diego Zoo, the Los Angeles Zoo, these are private menageries, and these people are frightened and there is an existential fear that they are going to be shut down by the government, by PETA, by HSUS, by animal rights groups. So they, generally, are very guarded.
You don't see Los Angeles erecting a museum dedicated to the birth place of the Crips and the Bloods and the Mexican Mafia, with a special guided bus tour highlighting the rise of the crack trade, yet you can hop on a bus in Chicago tomorrow to see the famous locales of murders. I have to imagine there's some wonderful academic book on the sociology of this out there.
Directing your first film is like showing up to the field trip in seventh grade, getting on the bus, and making an announcement, 'So today I'm driving the bus.' And everybody's like, 'What?' And you're like, 'I'm gonna drive the bus.' And they're like, 'But you don't know how to drive the bus.'
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
In the 1950s and '60s, America's natural resources were in bad shape. Communities were so polluted that clouds of smog lingered over cities like Los Angeles. Rivers and lakes were filled with chemicals. In my hometown of Boston, the harbor was among the nation's most polluted waterways.
They were looking for someone to play the neighbor of the Jeffersons. I thought it would be a nice trip to Los Angeles. When you get a call like that, you don't expect much to come of it.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
Regarding comments attributed to me in the Los Angeles Times - allegedly made on a bus trip from Germany to Holland in 1998 - I emphatically denounce such comments as false.
Once, in high school, on a field trip away from school, some girls brought razors to shave their legs and threw them at me and told me to kill myself. But they were all insecure. They were angry, snapping at everybody.
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