A Quote by Susan Strasberg
It become totally untenable to me that after acting for 25 years - I've played Juliet, Cleopatra and Anne Frank - there I was, sitting in Hollywood, just waiting for somebody to want me.
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Augustus Waters," I said, looking up at him, thinking that you cannot kiss anyone in the Anne Frank House, and then thinking that Anne Frank, after all, kissed someone in the Anne Frank House, and that she would probably like nothing more than for her home to have become a place where the young and irreparably broken sink into love.
I'm very aware that after you've played Cleopatra, there's not a lot that can top that in this sphere, so it means that I want to almost change the sphere I work in rather completely because I will always be comparing it to Cleopatra.
According to Hollywood logic, none of the actual Titanic passengers was interesting enough, so the writer-director had to invent a Romeo and Juliet-style fictional couple to heat up the catastrophe. This seems a tiny bit like giving Anne Frank a wacky best friend, to perk up that attic.
I just saw Titanic, which is a $200 million film about a real-life disaster at sea, but according to Hollywood Logic, none of the actual passengers was interesting enough, so the writer-director had to invent a Romeo and Juliet-style fictional couple to heat up the catastrophe. This seems a tiny bit like giving Anne Frank a wacky best friend, to perk up that attic.
After spending many years in Wall Street and after making and losing millions of dollars I want to tell you this: It never was my thinking that made the big money for me. It always was my sitting. Got that? My sitting tight!
If I played basketball, and you played with me, and all of a sudden you become my head coach, there isn't anything you can tell me, dude. Because your years in the league were just as long as mine. Why are you coaching me? That's one of the things that I hate.
But I think what made me go into theater was seeing my mother onstage. The first thing she did was Mrs. Frank in 'The Diary of Anne Frank.' The second thing she did was a play about Freud called 'The Far Country.' She played a paralyzed woman in Vienna who goes to see Freud.
I've been inside the Anne Frank house. You've only read about Anne Frank in grade school. I've been in it. I've seen the diary. Things that teachers couldn't teach you.
I have a good time when I'm acting, and bottom line, I just want to enjoy myself and be a happy person, and acting makes me happy. I enjoy it, and it's a good way to escape yourself. You just become somebody else for a little bit, and it's a lot of fun.
I never even thought about being an actor. Somebody asked me if I'd like to learn the craft, and I said, 'Okay.' I was a gymnast in a show at that time, and somebody asked me afterwards one night. I performed as a gymnast for nine years, and then I did acting after that.
I just want a man -a real, two-balled masculine guy -and there aren't many of them around, believe me. But I do want somebody my own age, and somebody who has brains enough to keep me interested and to earn enough money to support me in the style to which I've become accustomed.
Anne, are you killed?' shrieked Diana, throwing herself on her knees beside her friend. 'Oh, Anne, dear Anne, speak just one word to me and tell me if you're killed.
When I was doing 'Tales from Hollywood' at the National, I was invited to dinner by the choreographer, Kenneth MacMillan. He told me I had the heart of a dancer and asked me if I'd like to come on at the end of 'Romeo and Juliet' as a friar. I said I'd love to, but sadly, MacMillan died shortly after.
If somebody had said to me in June or July of 1987, 'We'd like you to become chairman of the Federal Reserve, but you're never allowed to discuss any economics after you leave,' I'd have said, 'Forget it.' What do they want me to do? Become an anthropologist?'
I always wanted to be Romeo, not Juliet. Romeo is a much cooler way to be - Juliet's just up in a balcony, waiting.
You know who it is? It's me in 10 years. So I turned 25. Ten years later, that same person comes to me and says, 'So, are you a hero?' And I was like, 'not even close. No, no, no.' She said, 'Why?' I said, 'Because my hero's me at 35.' So you see every day, every week, every month and every year of my life, my hero's always 10 years away. I'm never gonna be my hero. I'm not gonna attain that. I know I'm not, and that's just fine with me because that keeps me with somebody to keep on chasing.
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