A Quote by Susan Strasberg

A great performance like Lady Macbeth may be forgotten. Writing endures. — © Susan Strasberg
A great performance like Lady Macbeth may be forgotten. Writing endures.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
I want to play Lady Macbeth. I have a big chip on my shoulder about Lady Macbeth. People usually play her as this cold, Greek witch, but there's no evidence of that in the text! I think her intentions are pure.
To mankind in general Macbeth and Lady Macbeth stand out as the supreme type of all that a host and hostess should not be.
I think 'Macbeth' was a play that I've always gotten so much out of. My wife played Lady Macbeth in a play, and I designed it. There are things in there that are just kind of extraordinary.
I have such a great thing I want to do with Lady Macbeth - make her one of the witches - and I have this whole thing where she's very light and dressed in pink and dancing Gaelic dances and throwing roses, but then when her husband's coming home, she does incantations and pulls her hair back, puts on a black leather trenchcoat. I mean, I could tear it up if somebody would give me the chance! But do you think someone would ever let me do Lady Macbeth? I doubt it. But I'm going to keep talking about it.
'Lady Macbeth' is a great opportunity for me to prove that maybe the outcome of 'The Falling' was not necessarily a fluke.
I'd really like to play Lady Macbeth.
I want to be evil! I did play Lady Macbeth on stage to Alec Baldwin's Macbeth back in New York in 1998. But I've played a lot of characters who are so righteous and understanding. I don't want to be a goody-goody two-shoes all the time.
I want to play Eva Peron. I've already done a lot of Shakespeare, but I'd like to do Lady Macbeth.
Maybe because I'm a nice and sweet person in life, I like the darker roles. The really dark one is Lady Macbeth.
Maybe because Im a nice and sweet person in life, I like the darker roles. The really dark one is Lady Macbeth.
I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.
The first and perhaps the most important requirement for a successful writing performance - and writing is a performance, like singing an aria or dancing a jig - is to understand the nature of the occasion.
Hamlet is to Macbeth somewhat as the Ghost is to the Witches. Revenge, or ambition, in its inception may have a lofty, even a majestic countenance, but when it has "coupled hell" and become crime, it grows increasingly foul and sordid. We love and admire Hamlet so much at the beginning that we tend to forget that he is as hot-blooded as the earlier Macbeth when he kills Polonius and the King, cold-blooded as the later Macbeth or Iago when he sends Rosencrantz and Guildenstern to death.
[May 1958, on playing Macbeth at age 30 and age 48] When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
The idea of Macbeth as a conscience-torm ented man is a platitude as false as Macbeth himself. Macbeth has no conscience. His main concern throughout the play is that most selfish of all concerns: to get a good night's sleep.
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