A Quote by Susan Sullivan

It seems extraordinary to have waited so long into one's life to have found the part that actually uses your basic rhythm. And I think that's always sort of what actors connect up with - their own sort of world.
I'm always sort of anticipating life being difficult, but on a basic level, that's sort of on the surface, on a basic level, I'm optimistic in the sense that I think it's all going to be alright in the end.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
I think that for a lot of actors - especially American actors - to get line readings and to be told and have your director literally act out the part for you is sort of discouraging in a way. It's a very Eastern European thing to do - a lot of directors that I worked with in Russia did that as well. And, I never took that as an insult, as many actors tend to do. To me, I think it's just offering a certain energy - offering their flavor - and, instead of trying to sort of decode and communicate it to you, they just show you their flavor of what it should be.
I can connect with whoever I want to connect with in the world. And I can also write my own script. I don't have to follow rules. I can sort of just be unconventional.
All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.
I suppose as an actor you become very sensitive to rhythm, not just rhythm as you look at it sort of from the, from the outside as a director might see it, but within yourself you become used to the idea of hearing your fellow actors, responding to them in space.
I've always believed in God. I also think that's the sort of thing that either comes as part of the equipment, the capacity to believe, or at some point in your life, when you're in a position where you actually need help from a power greater than yourself, you simply make an agreement.
Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
I think the problem is these basic sort of human values from our - from the beginning, from birth, are not sort of properly nurtured. So then our mind, our brain, through education and also difference of experiences, that eventually, these basic values or what are called dominant, not have the catching up our intelligence, experience growth, that also should grow. Then our life become more human.
I think that the exactitude of the photograph has a sort of compelling nature based in its power to duplicate life. But to me the real power of photography is based in death: the fact that somehow it can enliven that which is not there in a kind of stultifying frightened way, because it seems to me that part of one's life is made up of a constant confrontation with one's own death.
No, it’s very comforting actually, to know that you’re sitting in a long legacy of actresses who’ve played the role. I’m absolutely all for absorbing all of those influences, so you understand the pedigree of the part as much as you understand the figure in history… because you are playing the part. You don’t say: “Gosh, I want to play Peter Sellers…” because you can sort of do that in your own bathroom.
Obviously invidious and prejudicial stereotypes need to be deconstructed and overcome, but it's not that they can be destroyed. I think that would be an illusion to think that we can somehow get rid of these basic search templates that allow us to sort out our social lives and to sort out the material world as well.
When you look at sort of pop stardom now, some of these singers, it seems like the idea of them was created in a marketing meeting, and then they just found someone to sort of fulfill that role.
When you come up in the art world, whatevers in the air, the issues of the moment, end up becoming part of the working method or modus operandi of how you think about doing a painting. And I came up at a time when-actually painting was dead when I came up. Sculpture sort of ruled.
Murdoc is sort of the, um, it’s his band. He sort of put Gorillaz together. It’s his idea. But he’s sort of an ugly, sort of, snaggle-toothed Satanist who didn’t actually get the job of being the lead singer ‘cause he isn’t very handsome. So, 2D got the job, which is always going to piss him off.
The curse of me and my nation is that we always think things can be bettered by immediate action of some sort, any sort rather than no sort.
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