A Quote by Susan Vreeland

I remember being disappointed when Papa had shown me Caravaggio's Judith. She was completely passive while she was sawing through a man's neck. Caravaggio gave all the feeling to the man. Apparently, he couldn't imagine a woman to have a single thought. I wanted to paint her thoughts, if such a thing were possible - determination and concentration and belief in the absolute necessity of the act. The fate of her people resting on her shoulders.
Papa, do you like my new friend?" Frances Catherine asked when they were halfway across the field. "I surely do." "Can I keep her?" "For the love of...No, you can't keep her. She isn't a puppy. You can be her friend, though," he hastily added before his daughter could argue with him. "Forever, papa?" She 'd asked her father that question, but Judith answered her. "Forever," she shyly whispered. Frances Catherine reached across her father's chest to take hold of Judith's hand. "Forever," she pledged.
Yet losing him seemed unbearable. He was the one she loved, the one she would always love, and as he leaned in to kiss her, she gave herself over to him. While he held her close, she ran her hands over his shoulders and back, feeling the strength in his arms. She knew he’d wanted more in their relationship than she’d been willing to offer, but here and now, she suddenly knew she had no other choice. There was only this moment, and it was theirs.
Or had she always loved him? It's likely. Restricted as she was from speaking, she wanted him to kiss her. She wanted him to drag her hand across and pull her over. It didn't matter where. Her mouth, her neck, her cheek. Her skin was empty for it, waiting.
She regretted having taken his hand, she wanted to get away from there as soon as possible, to hide her shame, never again to see that man who had witnessed all that was most sordid in her, and who nevertheless continued to treat her with such tenderness. But again she remembered Mari's words: She didn't need to explain her life to anyone, not even to the young man standing before her.
She sat leaning back in her chair, looking ahead, knowing that he was as aware of her as she was of him. She found pleasure in the special self-consciousness it gave her. When she crossed her legs, when she leaned on her arm against the window sill, when she brushed her hair off her forehead - every movement of her body was underscored by a feeling the unadmitted words for which were: Is he seeing it?
I have one thing you don't,' he murmured against her neck, turning his head and nipping her earlobe. 'What?' His tongue teased her ear. 'Brute strength,' he whispered and removed the keys from her hand even as he captured her mouth with his. He didn't let her up until she kissed him back thoroughly, until her arms slid around his neck and she melted into him. He drove the truck with great satisfaction, smirking at her. 'Manly man, here, woman.
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.
She was sound asleep when he came to curl up next to her. She grunted. "Don't worry. I'm too drunk, I won't do anything," he murmered. As she had her back to him, he placed his nose on her neck and slid his arm underneath her to be as close to her as possible. Short strands of her hair tickled his nostrils. "Camille?" Was she asleep? Was she pretending? No answer either way. "I like being with you." A little smile. Was she dreaming? Was she asleep? Who knows.
Marriage I think For women Is the best of opiates. It kills the thoughts That think about the thoughts, It is the best of opiates. So said Maria. But too long in solitude she'd dwelt, And too long her thoughts had felt Their strength. So when the man drew near, Out popped her thoughts and covered him with fear. Poor Maria! Better that she had kept her thoughts on a chain, For now she's alone again and all in pain; She sighs for the man that went and the thoughts that stay To trouble her dreams by night and her dreams by day.
She sat down at the table and spent a good hour talking about her husband. She told Judith how they'd met, how he relentlessly pursued her, and finished by mentioning just a hundred or two of his special qualities. The only thing the man wasn't capable of was walking on water… yet. Judith made that comment when her friend paused for breath.
My mother had been an incredibly bright kid but her family couldn't afford for her to stay in education. So she lived through me. She was a very remarkable woman and I owe a huge debt to her. She was unashamed about delighting in the fact that I was intelligent, and she drove and pushed me. She was also completely indifferent to popularity.
But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate.
Woman must be put back in her place. Man’s great error was to put woman on a pedestal, when she is far more at ease on her knees – where she belongs. … Woman must be reacquainted with truth and force. She must be reacquainted with truth through force. … She must be shown in no uncertain terms the absolute nature of the master/slave relationship endemic to the sexes.
Imagine the first Burmese "giraffe woman"; she was probably a local icon in her village in the way she put the rings around her neck to sell her craft. Then she became a celebrity, so all of the wannabes started following her in that uncomfortable and unhealthy trend. But is that so different from Pamela Anderson? I don't think so.
Knowing Lissa missed me hurt almost more than if she'd completely written me off. I'd never wanted to hurt her. Even when I'd resented her for feeling like she was controlling my life, I'd never hated her. I loved her like a sister and couldn't stand the thought of her suffering now on my behalf. How had things gotten so screwed up between us?
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